The Divine Comedy (Complete Annotated Edition)
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- 1,99 €
Description de l’éditeur
Dante Alighieri's 'The Divine Comedy (Complete Annotated Edition)' is a monumental work of Italian literature that combines epic poetry with profound theological exploration. Written in the early 14th century, this three-part narrative chronicles Dante's journey through the realms of Hell, Purgatory, and Paradise, guided by the poet Virgil and his beloved Beatrice. The poem is known for its intricate allegorical structure, rich symbolism, and vivid imagery, making it a masterpiece of medieval literature. The detailed annotations in this edition provide valuable insights into the historical, philosophical, and theological contexts of Dante's work, making it an essential companion for readers seeking a deeper understanding of the text. Dante Alighieri, a prominent Italian poet and philosopher, drew heavily from his own political exile and personal struggles to create 'The Divine Comedy.' His profound faith and intricate knowledge of classical literature and Christian theology are evident throughout the poem, reflecting his deep intellectual curiosity and spiritual inquiry. Alighieri's enduring legacy as a literary giant continues to inspire scholars and readers alike, cementing his reputation as one of the greatest poets of the Middle Ages. I highly recommend 'The Divine Comedy (Complete Annotated Edition)' to anyone interested in exploring the intersection of theology, philosophy, and literature. Dante's vivid imagination and intricate symbolism offer a compelling journey through the human soul and the afterlife, making this annotated edition an indispensable resource for readers looking to delve deeper into the complexities of this iconic work.
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Do we really need yet another translation of Dante's world-famous journey through the three parts of the Catholic afterlife? We might, if the translator is both as eminent, and as skillful, as Clive James: the Australian-born, London-based TV personality, cultural critic, poet and memoirist (Opal Sunset) is one of the most recognizable writers in Britain. James's own poetry has been fluent, moving, sometimes funny, but it would not augur the kind of fire his Dante displays. Over decades (in part as an homage to his Dante-scholar wife, Prue Shaw), James has worked to turn Dante's Italian, with its signature three-part rhymes, into clean English pentameter quatrains, and to produce a Dante that could eschew footnotes, by incorporating everything modern readers needed to know into the verse from the mythological anti-heroes of Hell through the Florentine politics, medieval astronomy, and theology of Heaven. Sometimes these lines are sharply beautiful too: souls in Purgatory "had their eyelids stitched with iron wire/ Like untamed falcons." Even in Heaven, notoriously hard to animate, James keeps things clear and easy to follow, if at times pedestrian in his language: "I want to fill your bare mind with a blaze/ Of living light that sparkles in your eyes," says Dante's Beatrice, and if the individual phrases do not always sparkle, it is a wonder to see the light cast by the whole.
