The Doll Factory
The spellbinding gothic page turner of desire and obsession
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4,0 • 2 notes
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- 5,99 €
Description de l’éditeur
The Sunday Times bestselling The Doll Factory is a gothic suspense story of art, obsession and delusion, set in Victorian London.
Now a major TV series with Paramount+.
'Astounding . . . I recommend it wholeheartedly' – Jo Whiley, BBC Radio 2 Book Club
London. 1850. On a crowded street, the dollmaker Iris Whittle meets the artist Louis Frost. Louis is a painter who is desperate for Iris to be his model. Iris agrees, on the condition that he teaches her to paint.
Dreaming of freedom, Iris throws herself into a new life of art and love, unaware that she has caught the eye of a second man. Silas Reed is a curiosity collector, enchanted by the strange and beautiful. After seeing Iris at the site of the Great Exhibition he finds he cannot forget her.
As Iris's world expands, Silas's obsession grows. And it is only a matter of time before they meet again . . .
'A sharp, scary tale of love, art and obsession' – Paula Hawkins, author of The Girl on the Train
BBC Radio 2 Book Club Pick
BBC Radio 4 Book At Bedtime
Five Star Reader Reviews:
'Breathtaking'
'I couldn't put it down'
'Spellbinding'
'I never wanted it to end'
'A plot to stop your heart'
PUBLISHERS WEEKLY
MacNeal's lively debut finds a fresh way to dramatize the Pre-Raphaelite Brotherhood of revolutionary, mid-19th-century British painters. In addition to William Holman Hunt, John Everett Millais, and Dante Gabriel Rossetti, MacNeal creates a fictitious PRB member, Louis Frost, who meets Iris Whittle, the heroine, a painter of miniature faces at Mrs. Salter's Doll Emporium. Dismissed for being a woman, Iris longs to be seen as a real painter, and when she meets Frost, he proposes a deal: if she poses for him, he will give her art lessons. At the same time, Iris also comes to the attention of Silas Reed, a taxidermist who sells stuffed animals to artists as props for their paintings. Unbeknownst to Iris, he stalks her with the intention of possessing her like an object. Louis turns out to be a generous mentor and Iris ends up falling for him. Only Albie, a light-fingered street urchin befriended by Iris, is aware of how much danger she is in from the obsessed Silas. Told against the backdrop of the Great Exposition at the Crystal Palace and its industrial wonders, MacNeal's consistently enjoyable novel reads like an art history lecture co-delivered by Wilkie Collins and Charles Dickens and read from a revisionist feminist script. This debut is a blast; it enticingly vacillates between a realistic depiction of the Pre-Raphaelite Brotherhood's London and lurid Victorian drama.
