The Eagle's Throne
A Novel
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- 3,49 €
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- 3,49 €
Description de l’éditeur
Here is a true literary event–the long-awaited new novel by Carlos Fuentes, one of the world’s great writers. By turns a tragedy and a farce, an acidic black comedy and an indictment of modern politics, The Eagle’s Throne is a seriously entertaining and perceptive story of international intrigue, sexual deception, naked ambition, and treacherous betrayal.
In the near future, at a meeting of the United Nations Security Council, Mexico’s idealistic president has dared to vote against the U.S. occupation of Colombia and Washington’s refusal to pay OPEC prices for oil. Retaliation is swift. Concocting a “glitch” in a Florida satellite, America’s president cuts Mexico’s communications systems–no phones, faxes, or e-mails–and plunges the country into an administrative nightmare of colossal proportions.
Now, despite the motto that “a Mexican politician never puts anything in writing,” people have no choice but to communicate through letters, which Fuentes crafts with a keen understanding of man’s motives and desires. As the blizzard of activity grows more and more complex, political adversaries come out to prey. The ineffectual president, his scheming cabinet secretary, a thuggish and ruthless police chief, and an unscrupulous, sensual kingmaker are just a few of the fascinating characters maneuvering and jockeying for position to achieve the power they all so desperately crave.
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An ailing Mexican president, two years into his mandated six-year term and manipulated by everyone around him, has banned oil exports to the U.S. and called for the withdrawal of all U.S. troops from occupied Colombia. In retaliation, American President Condoleezza Rice has, through the magic of an unimagined technology, shut down all of Mexico's telephone, fax and Internet communications. That's the fanciful but not entirely implausible futuristic backdrop for this corrosive political satire from Fuentes (The Old Gringo), considered Mexico's leading novelist (and one-time ambassador to France). His darkly comic tale of backbiting, double-crossing, murderous duplicity, sexual scheming and outright assassination is primarily epistolary, and it's a format that suits Fuentes's flowery prose style, though the voices of his various characters tend to blur into one another. Readers with even a smidgeon of familiarity with Mexico's unkempt political traditions will wallow in this caustic indictment.
