The Fetishist
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- 4,99 €
Description de l’éditeur
An Indie Next Pick
In this hilariously savage, poignant novel by acclaimed author Katherine Min, a grieving daughter’s revenge on the man who caused her mother’s death sets off a series of unexpected reckonings.
On a cold, gloomy night, twenty-three-year-old Kyoko stands in the rain with a knife in her hoodie’s pocket. Her target is Daniel, who seduced Kyoko’s mother then callously dropped her, leading to her death. But tonight, there will be repercussions. Following the unsuspecting Daniel home, Kyoko manages to get a rash kidnapping plot off the ground . . . and then nothing goes as planned.
The Fetishist is the story of three people—Kyoko, a Japanese American punk-rock singer full of rage and grief; Daniel, a philandering violinist forced to confront the wreckage of his past; and Alma, the love of Daniel’s life, a Korean American cello prodigy long adored for her beauty, passion, and talent, but who spends her final days examining if she was ever, truly, loved.
An exuberant, provocative story that confronts race, complicity, visibility, and ideals of femininity, The Fetishist was written before the celebrated author’s untimely death in 2019. Startlingly prescient, as wise and powerful as it is utterly delightful, this novel cements Katherine Min’s legacy as a writer with a singular voice for our times.
PUBLISHERS WEEKLY
This spiky posthumous novel from Min (Secondhand World), who died in 2019, combines a story of lost love with a revenge fantasy and a critique of racial fetishism. The narrative revolves around two seemingly unrelated Asian American women: Kyoko, a Baltimore manga artist and punk rocker; and Alma, a retired classical cellist in Southern California, who's struggling with late-stage multiple sclerosis. Between them stands Daniel Karmody, the washed-up leader of Thanatos—a Baltimore string quartet specializing in performances for the dying. Alma, who was once in a serious relationship with Karmody, writes a wistful Facebook message to him before attempting suicide. Meanwhile, Kyoko, whose late mother, Emi, was a student of Karmody's, believes he was responsible for Emi's suicide, and kidnaps him with murderous intent. Locked in Kyoko's basement, Karmody considers the ways his fetish for Asian women have hurt those in his wake, and ultimately makes amends. Min's emphasis on Karmody's redemption in the final act is a curious and somewhat frustrating turn, given that the novel initially sets out to restore a sense of humanity to the women whose lives have been squeezed by stereotypes. Still, the technicolor, Tarantino-esque crime plot can be great fun. This has its moments.
