The Garden of Evening Mists
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5,0 • 2 notes
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- 8,99 €
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- 8,99 €
Description de l’éditeur
A BBC TWO BETWEEN THE COVERS BOOK CLUB PICK
AN INTERNATIONAL BESTSELLER
SHORTLISTED FOR THE MAN BOOKER PRIZE
WINNER OF THE MAN ASIAN LITERARY PRIZE AND THE WALTER SCOTT PRIZE
Teoh Yun Ling was seventeen years old when she first heard about Aritomo and the garden. But a war would come to Malaya, and a decade pass before she would travel to see him. A man of extraordinary skill and reputation, Aritomo was once the gardener for the Emperor of Japan, and now Yun Ling needs him. She needs him to help her build a memorial to her beloved sister, killed at the hands of the Japanese. She wants to learn everything Aritomo can teach her, and do her sister proud, but to do so she must also begin a journey into her own past, a past inextricably linked with the secrets of her troubled country.
A story of art, war, love and memory, The Garden of Evening Mists captures a dark moment in history with richness, power and incredible beauty.
PUBLISHERS WEEKLY
After having endured the miseries of a Japanese internment camp during WWII, 28-year-old Yun Ling Teoh makes her way in 1951 to the only Japanese garden in her native Malaya in a bid to convince its caretaker, Nakamura Aritomo, the former gardener for the Emperor of Japan, to establish a commemorative plot for her sister who died in the camp. Though he initially refuses, Aritomo agrees to mentor Yun Ling so that she might design the garden herself. While toiling away in Yugiri, the titular "garden of evening mists," Yun Ling grows fond of Aritomo, meanwhile recalling the horrors of the camp and the difficulties of the post-WWII "Emergency" in Malaya, a prolonged period of guerrilla war whose reach creeps closer by the day. Alternating between her time with Aritomo and a future wherein the now-aged Yun Ling, fighting a degenerative brain disease, desperately seeks to preserve her memories of the garden, Eng's newest (after The Gift of Rain) has the makings of a moving and unique historical, but the novel falls flat. There is a puzzling lack of pathos, and Eng's similar treatment of the tragic and the mundane serves to downplay rather than highlight the differences between the two. As a result, there is very little other than Eng's moving atmospherics and attention to detail to draw readers along.
