The Hot Kid
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- 0,99 €
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- 0,99 €
Description de l’éditeur
Gun molls, speakeasies, bank robbers and murder ... Another fantastic thriller from the grandmaster of US crime fiction.
Set in Oklahoma during the 1930s, THE HOT KID is a powerfully entertaining story and introduces Carl Webster, one of the coolest lawmen ever to draw on a fugitive felon.
At 21, Carl Webster's on his way to becoming the most famous Deputy US Marshal in America. He has shot and killed notorious bank robber Emmet Long and is now tracking Jack Belmont, the no-good son of an oil millionaire with dreams of becoming Public Enemy Number One. True Detective writer Tony Antonelli is following the story, and this one's big, full of beautiful women, Tommy guns and a former lawman who believes in vigilante justice. THE HOT KID is an exhilarating story played out against the flapper period of gun molls and Prohibition.
PUBLISHERS WEEKLY
Leonard's 40th novel, set in the world of 1930s gangsters and gun molls, features characterizations so deft and true you can smell the hair oil on the dudes and the perfume on the dames. Young Carlos Webster tangles with his first gangster at 15, when bank robber Emmet Long robs an Okmulgee, Okla., store, kills an Indian policeman and takes away Carlos's ice cream cone. Seven years later, Carlos, now Carl, a newly minted deputy U.S. marshal, gets his revenge by gunning Long down, an act that wins him the respect of his employers and the adulation of the American public, who follow his every quick-draw exploit in the papers and True Detective magazine. Cinematically, Leonard introduces his characters Carl's colorful pecan-farmer father, Virgil; Jack Belmont, ne'er-do-well son of a rich oilman; True Detective writer Tony Antonelli; Louly Brown, whose cousin marries Pretty Boy Floyd in small, self-contained scenes. As the novel moves forward, these characters and others begin to interact, forming liaisons both romantic and criminal. At the stirring conclusion, scores are settled and the good and the bad get sorted out in satisfactorily violent fashion. The writing is pitch-perfect throughout: "It was his son's quiet tone that made Virgil realize, My Lord, but this boy's got a hard bark on him." The setting and tone fall somewhere between Leonard's early westerns and his more recent crime novels, but it's all pure Leonard, and that means it's pure terrific.