The Last Templar
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- 2,99 €
Description de l’éditeur
A secret lost for a thousand years. A deadly race to keep it buried...
1291 AD, Acre. As the city burns under the onslaught of the Sultan's men, the Falcon Temple sets sail, carrying a small band of knights and a mysterious chest entrusted to them by the Order's Grand Master. But the ship vanishes without a trace...
Present day New York. At the Metropolitan Museum, four horsemen dressed as Knights Templar storm the gala opening of an exhibition of Vatican treasures and, in a brutal and bloody attack, steal an arcane medieval decoder.
For FBI agent Sean Reilly and archaeologist Tess Chaykin this is just the start of a deadly game of cat and mouse as they race across three continents in search of the ruthless killers - and a centuries-old mystery...
PUBLISHERS WEEKLY
The war between the Catholic Church and the Gnostic insurgency drags on in this ponderous Da Vinci Code knockoff. The latest skirmish erupts when horsemen dressed as knights raid New York's Metropolitan Museum of Art, lopping off heads and firing Uzis as they go. Their trail leads FBI agent Sean Ryan and fetching archeologist Tess Chaykin to the medieval crusading order of the Knights Templars. Anachronistic Gnostic champions of feminism and tolerance against Roman hierarchy and obscurantism, the Templars, they learn, discovered proof that Catholic dogma is a "hoax" and were planning to use it to unite all religions under a rationalist creed that would usher in world peace. Screenwriter and first-time novelist Khoury spices up the doctrinal revisionism with Da Vinci style thriller flourishes, including secret codes, gratuitous but workmanlike action scenes and a priest hit man sent out by the Vatican to kill anyone who knows anything. The narrative pauses periodically for believers-vs.-agnostics debates and tutorials on everything from the Gospel of Thomas to alchemy. Though long-winded and sophomoric, these seminars are a relief from Tess and Sean's tedious romance, which proceeds from awkward flirtations as they listen to Sean's mix CD to hackneyed intimacies about childhood traumas. The novel's religious history is as dubious as its conspiracy plot, but anti-clericalists and Catholics taking a break from the church's real headaches could unwind with it.
