The Lies We Told
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3,3 • 3 notes
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- 5,99 €
Description de l’éditeur
Do you promise not to tell?
A DAUGHTER
Beth has always known there was something strange about her daughter, Hannah. The lack of emotion, the disturbing behaviour, the apparent delight in hurting others… sometimes Beth is scared of her, and what she could be capable of.
A SON
Luke comes from the perfect family, with the perfect parents. But one day, he disappears without trace, and his girlfriend Clara is left desperate to discover what has happened to him.
A LIFE BUILT ON LIES
As Clara digs into the past, she realizes that no family is truly perfect, and uncovers a link between Luke’s long-lost sister and a strange girl named Hannah. Now Luke’s life is in danger because of the lies once told and the secrets once kept. Can she find him before it’s too late?
What readers are saying about The Lies We Told
‘A must-read psychological thriller for everyone who loves good twists and gasp-out-loud moments!’ ⭐⭐⭐⭐⭐
‘A truly gripping book with many twists and turns’ ⭐⭐⭐⭐⭐
‘Gripping from start to end’ ⭐⭐⭐⭐⭐
‘Literally one if the best thrillers I have ever read!!’ ⭐⭐⭐⭐⭐
‘Kept me guessing to the end’ ⭐⭐⭐⭐⭐
‘Don’t read this book going to bed – I lost sleep because I couldn’t stop reading it!!‘⭐⭐⭐⭐⭐
‘Had me intrigued from the very beginning and could not put it down’ ⭐⭐⭐⭐⭐
‘Excellent book, very chilling and absorbing’ ⭐⭐⭐⭐⭐
‘Left me with goosebumps as I finally closed this brilliant book with the urge to go back to the start and read the whole thing AGAIN!!’ ⭐⭐⭐⭐⭐
‘What a deliciously twisted psychological thriller’ ⭐⭐⭐⭐⭐
‘An addictive, clever read that is filled with tension, leading up to a totally unexpected finale’ ⭐⭐⭐⭐⭐
About the author
Camilla Way was formerly an editor on the style magazine Arena and has written for Stylist, Elle and the Guardian. She is now a full-time writer and lives in south-east London with her partner and twin boys.
PUBLISHERS WEEKLY
This creepy stalker thriller about secrets coming home to roost from Way (Watching Edie) highlights a queasy theme for the baby boomer set: how little control parents have over their children. A split narrative format gives a powerful sense of unfolding mystery and encroaching danger as the action alternates between past and present. In 2017, Clara Haynes's search for her boyfriend, Luke Lawson, suddenly gone from their London flat, brings her more deeply into the complex, dysfunctional dynamics of his family, especially their reticence to discuss the disappearance of his older sister, Emily, when he was a child. In flashbacks to the mid-1980s, Beth Jennings describes her increasing desperation in managing her sociopathic daughter, Hannah. Lackadaisical police involvement, both in Luke's missing person case and in their lack of oversight of Hannah, diminishes the scenario's plausibility. Despite the novel's structural flaws, Way delivers palpable tension and engages the reader though the end.
