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Description de l’éditeur
Elegantly constructed and told with exceptional grace, The Light Years is Elizabeth Jane Howard’s modern classic of contemporary English life and the beginning of an extraordinary family saga.
With an introduction by Joanna Lumley.
Every summer, the Cazalet brothers, Hugh, Edward and Rupert, return to the family home in the heart of the Sussex countryside with their wives and children. There, they are joined by their parents and unmarried sister Rachel to enjoy two blissful months of picnics and childish games. But despite the idyllic setting, nothing can be done to soothe the siblings' heartache: Hugh is haunted by the ravages of war, Edward by his latest infidelity and Rupert by his inability to please his demanding wife. Meanwhile, Rachel risks losing her only chance at happiness because of her unflinching loyalty to the family.
Howard’s beautiful saga is the story of three generations of the Cazalet family. Their relatives, their children and their servants – and the fascinating triangle of their affairs . . .
The Light Years is the first novel in Elizabeth Jane Howard’s bestselling five-part series. Continue the Cazalet Chronicles with Marking Time.
In her charming but unwieldy eighth novel, the author of Odd Girl Out and Getting It Right portrays three generations of an upper-class English family summering at their Sussex estate in 1937 and 1938. The daily concerns of the Cazalet patriarch, his four children, nine grandchildren, countless in-laws, servants and pets range from the mundane to the seriously significant: the children rescue their cat from a tree, the chauffeur drives too slowly, the adults discuss the prospect of war. The temptations of adultery and incest that lurk beneath the chitchat rarely threaten the comfortable routine. Howard's attempts at insightful characterization, suspenseful plot development and sweeping depiction of an era achieve only partial success, due to the sheer size of the cast and the continual introduction of subplots thereafter neglected. For hundreds of breezy but disappointingly ``light'' pages, Howard sets the stage for climactic events that never occur. The fan of sagas full of slice-of-life detail may find the book too short, while the lover of catharsis will feel it stops short of its goal. In either case, another installment is required.