The Matter of Black Lives
Writing from The New Yorker
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- 19,99 €
Description de l’éditeur
A collection of The New Yorker‘s groundbreaking writing on race in America—including work by James Baldwin, Toni Morrison, Ta-Nehisi Coates, Hilton Als, Zadie Smith, and more—with a foreword by Jelani Cobb
This anthology from the pages of the New Yorker provides a bold and complex portrait of Black life in America, told through stories of private triumphs and national tragedies, political vision and artistic inspiration. It reaches back across a century, with Rebecca West’s classic account of a 1947 lynching trial and James Baldwin’s “Letter from a Region in My Mind” (which later formed the basis of The Fire Next Time), and yet it also explores our current moment, from the classroom to the prison cell and the upheavals of what Jelani Cobb calls “the American Spring.” Bringing together reporting, profiles, memoir, and criticism from writers such as Chimamanda Ngozi Adichie, Elizabeth Alexander, Hilton Als, Vinson Cunningham, Henry Louis Gates, Jr., Malcolm Gladwell, Jamaica Kincaid, Kelefa Sanneh, Doreen St. Félix, and others, the collection offers startling insights about this country’s relationship with race. The Matter of Black Lives reveals the weight of a singular history, and challenges us to envision the future anew.
PUBLISHERS WEEKLY
New Yorker staff writer Cobb (The Substance of Hope) and editor Remnick (The Bridge) present an expansive anthology of pieces from the magazine's archives on the "political, cultural, and economic questions surrounding race and Black achievement." James Baldwin's "Letter from a Region in My Mind," later published as The Fire Next Time, opens the proceedings, setting a high bar that the collection, for the most part, maintains. Other highlights include Hilton Als's "Homecoming," which interweaves reflections on the 1967 Brownsville uprising and the protests that followed the murder of George Floyd by police in 2020 with insights into the cultural burdens placed on Black artists; Renata Adler's report on the 1964 Selma to Montgomery civil rights march, which captures the homespun feel of the movement before it was mythologized; and Sarah Broom's "The Yellow House," a poignant meditation on the loss of her family home in Hurricane Katrina that became a National Book Award–winning memoir. Beyond the stellar prose, what unites these pieces, which range widely in length, tone, and point of view, is Baldwin's insight, paraphrased by Cobb, that "the American future is precisely as bright or as dark as our capacity to grapple with ." This standout anthology illuminates a matter of perennial concern.
