The Medusa Frequency
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- 8,99 €
Description de l’éditeur
'Sparkles with classical allusions and a wisecracking humour ... it is pure joy' Daily Telegraph
It all begins the night a leaflet comes through the door of unsuccessful novelist Herman Orff, promising a magical cure for writer's block. The strange treatment plunges him into a hallucinatory London dreamworld populated by figures mythical and real: a severed talking head, Vermeer's girl with a pearl earring, his lost love Luise and, beneath it all, the Kraken awaiting. As Herman will discover, creating art is a tough business.
'One of his most accessibly entertaining books' The Times
'Short, smart and fizzy, the novel seeks out the roots of creativity with none of the solemnity that phrase implies' New Statesman
PUBLISHERS WEEKLY
Again demonstrating the versatility and creative energy exhibited in Riddley Walker and Pilgermann, in this slim novel Hoban deals with existential questions: the mystery of existence, the nature of reality, the role of art. Combining satire and fantasy, and in poetic, Joycean language mixed with the vernacular, this narrative rewards the discerning reader. Herman Orff, a failed novelist who supports himself by doing cartoons for Classic Comics, is accosted by the blind head of Orpheus, his progenitor, "the first of your line.'' Through a series of metaphysical communications that lead to an odyssey through London and Amsterdam, Orff is gradually given to understand the connection between the women in his life: his lost love Luise von Himmelbett (symbolizing Eurydice); the nubile and very available Melanie Falsepercy (symbolizing Persephone); the print of Vermeer's Head of a Young Girl that hangs above his desk and haunts his imagination; and the head of Medusa in a painting by the Dutch master Frans Post: all represent ``femaleness.'' Spare and witty, full of metaphorical, mythical and mystical allusions, the narrative sings with insights. At the same time whimsical, farcical (an advertising agency is called Slithe and Tovey) and deadly serious, it brilliantly relates the tragic ancient myths to the commonplace tragedies of modern life in a violent, dislocated age.
