The Night House
A spine-chilling tale for fans of Stephen King
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- 14,99 €
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- 14,99 €
Description de l’éditeur
WHEN THE VOICES CALL, DON'T ANSWER...
In the wake of his parents' tragic deaths fourteen-year-old Richard Elauved has been sent to live with his aunt and uncle in the remote town of Ballantyne, where all is not as it seems.
Richard quickly earns a reputation as an outcast, and when a classmate named Tom goes missing, no one believes him when he says the telephone booth out by the edge of the woods sucked Tom into the receiver like something out of a horror movie.
No one, that is, except the enigmatic Karen, who encourages Richard to pursue clues the police refuse to investigate. He traces the number to an abandoned house in the woods. There he catches a glimpse of a terrifying face in the window. And then the voices start.
A twisted spin on a classic coming-of-age horror story from the Sunday Times Number One bestseller Jo Nesbo, author of the Detective Harry Hole series.
'This horror fan loved it' Josh Malerman, bestselling author of Bird Box
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READERS LOVE THE NIGHT HOUSE:
‘Fasten your seat belt, go along for the ride and be prepared for sleepless nights and vivid dreams’.
‘Highly recommend to fans of horror and paranormal who like to have thrilling and spine shivering reads! ’
‘This novel has everything you would want from a horror story’.
‘A storyline that would cause Stephen King to tremble.’
‘Wow! What a Halloween rollercoaster ride.’
PUBLISHERS WEEKLY
Bestselling crime writer Nesbø takes a break from his Harry Hole detective series with this wild and ambitious but not entirely successful three-part horror opus. The first and longest section is narrated by Richard Elauved, a rambunctious 14-year-old orphan who delights in playing pranks and manipulating gullible school chums in the small town of Ballantyne. After two friends disappear in his presence under horrifying and otherworldly circumstances, Richard fails to convince incredulous authorities that the supernatural was involved. Instead, he's whisked away to the Rorrim Correctional Facility for Young People. After the distinct and intentional YA vibe of this opening, Nesbø pulls the rug out from under the reader in the novel's second section, skewing the tale in a different direction that sheds light on possible sources for some of the earlier horrors even as it serves up new ones. Then, Nesbø does it again in a third section whose rationalizations for all of the preceding weirdness are disappointingly anticlimactic. Nesbø shows a sure hand at crafting moments of terror, but only his most devoted readers won't cock an eyebrow at the bait-and-switch plotting. Despite some memorable individual scares, horror aficionados are likely to grow frustrated with this.
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