- 9,99 €
Description de l’éditeur
Acclaimed author Arturo Pérez-Reverte has earned a distinguished reputation as a master of the literary thriller with his international bestsellers The Club Dumas and The Queen of the South. Now, in this haunting new work, Pérez-Reverte has written his most accomplished novel to date. The Painter of Battles is a captivating tale of love, war, art, and revenge.
Andrés Faulques, a world-renowned war photographer, has retired to a life of solitude on the Spanish coast. On the walls of a tower overlooking the sea, he spends his days painting a huge mural that pays homage to history’s classic works of war art and that incorporates a lifetime of disturbing images.
One night, an unexpected visitor arrives at Faulques’ door and challenges the painter to remember him. As Faulques struggles to recall the face, the man explains that he was the subject of an iconic photo taken by Faulques in a war zone years ago. “And why have you come looking for me?” asks Faulques. The stranger answers, “Because I’m going to kill you.”
This story transports Faulques to the time when he crossed continents to capture conflicts on film with his lover, Olvido, at his side. Until she walked into his life, Faulques muses, he had believed he would survive both war and women.
As the tense dialogue between Faulques and his visitor continues, the stakes grow ever higher. What they are grappling with quickly proves to be not just Faulques’ fate but the very nature of human love and cruelty itself.
Arturo Pérez-Reverte perfectly balances the shadows of the heart with the chaos of war in this stunning composition on morality. Superb and tautly written, The Painter of Battles is a deeply affecting novel about life and art.
Novelist and former war correspondent P rez-Reverte (The Club Dumas; The Queen of the South) adds another taut literary thriller to his critically acclaimed list. Andres Faulques, an award-winning war photographer, is holed up in a stone tower on the Spanish coast, purging his wartime memories by painting a battle-scene mural. He has abandoned photography and is also unsuccessfully trying to banish the memory of his lover, the brilliant, bewitching Olvido, also a war photographer, who was killed as Faulques watched. One day, a strange visitor, the Croatian ex-soldier Ivo Markovic (who turns out to be the subject of one of Faulques's most famous photos), arrives with an evil agenda: he plans to kill Faulques, but first he wants to tell him how the photo altered the course of his life. (Let's say it didn't do him any favors.) Some readers may find the narrative slow much of the novel takes place in Faulques's head, with lengthy reflections on the atrocities he has photographed, the social responsibilities of artists and photographers, and the consequences of choice and chance though others will relish the meticulous details and dark, brooding tone.