The Reserve
A Novel
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- 7,99 €
Description de l’éditeur
“At once a harrowing mystery, an illuminating psychological novel of subverted love and family dysfunction, and a powerful commentary on class structure in America . . . [Banks is] one of America’s finest contemporary fiction writers.” —Boston Globe
Part love story, part murder mystery, set on the cusp of the Second World War, Russell Banks's sharp-witted and deeply engaging novel raises dangerous questions about class, politics, art, love, and madness—and explores what happens when two powerful personalities, trapped at opposite ends of a social divide, begin to break the rules.
Vanessa Cole is a stunningly beautiful and wild heiress. Twice-married, she has been scandalously linked to rich and famous men. On the night of July 4, 1936, inside her family’s remote Adirondack Mountain enclave known as the Reserve, Vanessa will lose her father to a heart attack—and meet Jordan Groves, a seductively carefree local artist. Jordan is easy prey for Vanessa’s electrifying charm. But when Vanessa becomes unhinged by her father’s unexpected death, she begins to spin out of control, manipulating and destroying the lives of all who cross her path.
Moving from the secluded beauty of the Adirondacks to war-torn Spain and fascist Germany, and filled with characters that pierce the heart, The Reserve is a clever, incisive, and passionately romantic novel of suspense and drama.
PUBLISHERS WEEKLY
SignatureReviewed by Scott TurowLike Banks's two most recent novels Cloudsplitter, a 1998 book about the abolitionist John Brown, and The Darling, about the wages of '60s radicalism The Reserve looks backward, this time to the 1930s. The reserve of the title is an Adirondack preserve, a membership-only sanctuary where the very rich partake of woodland leisure, hunting, fishing, dining, drinking, utterly remote from the anxiety and want that most Americans experienced in 1936. Jordan Groves, a noted artist and illustrator, makes his life literally and figuratively at the border of the property, along with his wife, Alicia, and two sons, Bear and Wolf. In a note that accompanies the advance reader's copy of the book, Banks says he was drawn back imaginatively to the world of his parents. But this novel is not merely an homage to the class-riven universe of the Depression but also to the way it was portrayed in its own time. Some plot elements nod in the direction of Fitzgerald's Tender Is the Night. Much more clearly, the ghost of Ernest Hemingway, who is even an offstage character, treads the pages of The Reserve and leaves his tracks. Banks acknowledges that Jordan Groves is loosely based on the real-life Adirondacks artist, Rockwell Kent, but Groves, as Banks creates him, is a man in the Hemingway mold, whose first name seems to acknowledge Hemingway's quintessential hero, Robert Jordan in For Whom The Bell Tolls. Jordan Groves is a man's man, flying his airplane daringly around the Adirondacks and trekking the world in search of imagery and lovers. As is true of all the characters in this novel and in Hemingway's Groves is a person utterly without any sense of irony about himself, and thus any awareness of the degree to which he is a creature of what he claims to despise.Groves's unrecognized conflicts are forced into consciousness through the agency of Vanessa Cole, the twice-divorced adopted daughter of one of the Reserve's member families. Free of her last husband, a European nobleman whom she calls in her own mind Count No-Count, Vanessa is an alluring and determined seductress who sets her sights on Groves in the book's initial chapter. Death, adultery and homicide follow, shattering each of the would-be lovers' families.This is a vividly imagined book. It has the romantic atmosphere of those great 1930s tales in film and prose, and it speeds the reader along from its first pages. In fact, Banks talents are so large and the novel so fundamentally engaging that it continued to pull me in even when, in its climactic moments, I could no longer comprehend why the characters were doing what they were doing. By then, the denouement has been determined largely by the literary expectations of a bygone era where character flaws require a tragic end. Despite that, The Reserve is a pleasure well worth savoring. Scott Turow is at work on a sequel to Presumed Innocent.
