The Trysting Place: A Farce in One Act

The scene is a room just off the “lounge” of a hotel in the country. However, this is not a “country hotel;” but, on the contrary, one of those vast and elaborate houses of entertainment that affect an expensive simplicity in what is called the colonial manner, and ask to be visited—by those financially able to do so—in the general interest of health and the outdoor life. The wall at the back of the stage is broken only by symmetrically spaced pilasters of an ivory color; each of the side walls is broken in the same manner; but here the pilasters help to frame two rather broad entrances, one at the right and one at the left, and beyond these entrances, on both sides, we have glimpses of the two corridors that lead to them. There are a few old prints—or new prints from old plates—upon the walls; and there are flowering plants on stands in the corners. The furniture consists of some chintz-covered easy-chairs, a light wicker settee with a chintz cushion and a valance that reaches the floor; and there are two wicker tables with a vase of jonquils upon each of them. In the rear right-hand corner of the room, near the stand of plants, there is a tropical-looking chair, wicker, with a back of monstrous size—a Philippine Island chair—and in the opposite corner is its mate.

Dance music is heard from a distant orchestra. Just after the rise of the curtain two people come in together from the left—a young woman of twenty-five, or perhaps she is even a little older, and a slim boy obviously under twenty. She is rather elaborate in her afternoon indoor dress, but none the less effectively pretty; he is of a scrubbed and sleeked youthfulness, in white trousers, a short black coat and dancing shoes; and from the moment of his first appearance he is seen to be in an extremity of love. He leans as near the young woman as he can; his eyes search her face yearningly and without intermission; he caroms into her slightly as they come in, and repeats the carom unwittingly. They have evidently just come from the dancing floor and are a little flushed; she fans herself with her handkerchief and he fans her with his. They are heard talking before they enter: “Oh, let’s do find some place to sit down!” she is saying; and he, simultaneously: “Oh, wasn’t that divine! You dance just simply divinely!” These speeches “bring them on.”