The Wild Kingdom
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- 12,99 €
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- 12,99 €
Description de l’éditeur
The new master of Comics Experimentalism returns with his Everyman, Glenn Ganges
Standing out among his contemporaries, Kevin Huizenga's subtle mastery of the medium has earned him countless accolades and awards. His comics are at once straightforward and experimental, serious and funny. His character is the suburban everyman Glenn Ganges, a modern-day Dagwood Bumstead, who tackles and stumbles with such heady topics as mysticism and science.
In The Wild Kingdom Glenn Ganges blindly interacts with the nature of his suburban neighborhood: dead houseplants, a recipe for gray squirrel brain, and pigeons eating discarded French fries in the parking lot of a fast-food joint. Huizenga juxtaposes Glenn's ignorance of his surroundings with television commercials highlighting society's needs for cure-all pharmaceuticals and "hot new things" like teeth whiteners. Starting off wordless, The Wild Kingdom grows more complex page by page, ending with encyclopedic entries, biographical excerpts, anthropologic flowcharts, and a cataclysmic encounter of nature and technology.
PUBLISHERS WEEKLY
This brilliantly conceived pocket book casually expresses a crystalline analysis of our own imprecise and muddled thinking. Formatted like a textbook from an alternate world where comics are the standard mode of discourse, it references general interest pop-science television programs like the titular "Wild Kingdom," complete with commercial breaks which punctuate the book's more overtly narrative passages. Sequences featuring Huizenga's everyman character Glenn Ganges depict the minor catastrophes that inevitably result from industrialized humanity's coexistence with the animal world, from an unwelcome insect at home to an ill-fated pigeon on a four-lane highway. The book's "commercial" sequences echo with the quasi-religious recurring phrase "I was saved from my own life," a slogan that points to the paradox at the heart of "man versus nature" a perceived alienation from the natural world from which man springs; this schism is effectively leveraged to sell products promising transcendence from man's earthly origins. Huizenga's lyrical storytelling highlights the ways in which science, education, entertainment, and commerce have been hopelessly comingled, and the book's absurdist climax suggests that this state of affairs can't continue forever. Huizenga continues to forge a path as one of the most important graphic novelists working today.
