Walk Through Walls
A Memoir
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5,0 • 1 note
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- 9,49 €
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- 9,49 €
Description de l’éditeur
'Her bravest work of performance art to date . . . Rawly intimate' Observer
This memoir spans Marina Abramovic's five decade career, and tells a life story that is almost as exhilarating and extraordinary as her groundbreaking performance art. Taking us from her early life in communist ex-Yugoslavia, to her time as a young art student in Belgrade in the 1970s, where she first made her mark with a series of pieces that used the body as a canvas, the book also describes her relationship with the West German performance artist named Ulay who was her lover and sole collaborator for 12 years.
PUBLISHERS WEEKLY
Performance artist Abramovic shares the remarkable experiences of her life and background on some of her best-known art pieces in this enchanting and emotionally raw memoir. Her story begins in 1940s Communist Yugoslavia, where her Partisan parents' stormy relationship cast a pall over her childhood. This is followed by a glimpse of freedom at Belgrade's Academy of Fine Arts in the 1960s, where Abramovic began to engage with the avant-garde first as a painter and then by staging her first piece at the Belgrade Youth Center in 1969. She then spent a decade touring with her lover, fellow artist Ulay. She provides fascinating glimpses into her experiences living with Aboriginal Australians and her walk of China's Great Wall, sharing illuminating notes from her performances diaries and giving insight into her teaching technique. She outlines the conceptions and orchestration of the blood-soaked knife game Rhythm 10, the marathon sitting performance Nightsea Crossing, reprised as The Artist Is Present for her 2010 MoMA career retrospective, and the ingenious, cow bone-littered Balkan Baroque. Abramovic is brilliant with atmospheric details, coloring the narrative with macabre Slavic jokes and descriptions of the thick glasses and "horrible, socialistic" orthopedic shoes that marred her adolescence; an early living space with a bucket and hose for a shower. She is confessional but unsentimental, admitting to insecurities and failures with refreshing candor. This is an honest, gripping, and profound look into the heart and brilliant mind of one of the quintessential artists of the postmodern era. Photos.
