- 12,99 €
Description de l’éditeur
A GOOD MORNING AMERICA BOOK CLUB PICK
Named a Best Book Pick of 2021 by Harper’s Bazaar and Real Simple
Named a Most Anticipated Book of Fall by People, Essence, New York Post, PopSugar, New York Newsday, Entertainment Weekly, Town & Country, Bustle, Fortune, and Book Riot
Told from alternating perspectives, this “propulsive, deeply felt tale of race and friendship” (People) follows two women, one Black and one white, whose friendship is indelibly altered by a tragic event.
Jen and Riley have been best friends since kindergarten. As adults, they remain as close as sisters, though their lives have taken different directions. Jen married young, and after years of trying, is finally pregnant. Riley pursued her childhood dream of becoming a television journalist and is poised to become one of the first Black female anchors of the top news channel in their hometown of Philadelphia.
But the deep bond they share is severely tested when Jen’s husband, a city police officer, is involved in the shooting of an unarmed Black teenager. Six months pregnant, Jen is in freefall as her future, her husband’s freedom, and her friendship with Riley are thrown into uncertainty. Covering this career-making story, Riley wrestles with the implications of this tragic incident for her Black community, her ambitions, and her relationship with her lifelong friend.
Like Tayari Jones’s An American Marriage and Jodi Picoult’s Small Great Things, We Are Not Like Them takes “us to uncomfortable places—in the best possible way—while capturing so much of what we are all thinking and feeling about race. A sharp, timely, and soul-satisfying novel” (Emily Giffin, New York Times bestselling author) that is both a powerful conversation starter and a celebration of the enduring power of friendship.
Piazza (Charlotte Walsh Likes to Win) teams up with veteran book editor Pride for a blistering and incisive story of race, friendship, and police violence in Philadelphia. Riley Wilson, who is Black, is a TV news reporter. Her best friend from childhood, Jenny Murphy, who is white, never planned to be a policeman's wife but then her white husband, Kevin, quits his sales job and becomes a cop. Jenny gets pregnant after a series of unsuccessful IVF treatments, the last of which Riley paid for, and is in her third trimester when 14-year-old Justin Dwyer, who is Black, is shot by Kevin. Riley is assigned to cover the story while Jenny nears her due date. Riley and Jenny's relationship is strained after Jenny is initially concerned for Kevin rather than Justin, who is on life support (if he dies, Kevin could be charged with murder). The circumstances feel conveniently invented in service of the premise, though the authors skillfully build tension, such as whether Riley's boss at the station will discover her conflict of interest regarding Jenny, and what will happen with Riley's relationship with her ex-boyfriend Corey, who is white. This character-driven novel ought to spark much discussion.