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Description de l’éditeur
Winner of the Edgar® Award for Best Fact Crime
The true account of one boy’s lifelong search for his boarding-school bully.
Equal parts childhood memoir and literary thriller, Whipping Boy chronicles prize-winning author Allen Kurzweil’s search for his twelve-year-old nemesis, a bully named Cesar Augustus. The obsessive inquiry, which spans some forty years, takes Kurzweil all over the world, from a Swiss boarding school (where he endures horrifying cruelty) to the slums of Manila, from the Park Avenue boardroom of the world’s largest law firm to a federal prison camp in Southern California.
While hunting down his tormentor, Kurzweil encounters an improbable cast of characters that includes an elocution teacher with ill-fitting dentures, a gang of faux royal swindlers, a crime investigator “with paper in his blood,” and a onocled grand master of the Knights of Malta. Yet for all its global exoticism and comic exuberance, Kurzweil’s riveting account is, at its core, a heartfelt and suspenseful narrative about the “parallel lives” of a victim and his abuser.
A scrupulously researched work of nonfiction that renders a childhood menace into an unlikely muse, Whipping Boy is much more than a tale of karmic retribution; it is a poignant meditation on loss, memory, and mourning, a surreal odyssey born out of suffering, nourished by rancor, tempered by wit, and resolved, unexpectedly, in a breathtaking act of personal courage.
Whipping Boy features two 8-page black-and-white photo inserts and 83 images throughout.
Childhood trauma fuels an adult obsession and an exploration of a flamboyant criminal caper in this rollicking but unfocused memoir. Novelist Kurzweil (A Case of Curiosities) was bullied by a roommate named Cesar Augustus at a tiny Swiss boarding school being whipped with a belt is the worst outrage and later in life set out to learn what had become of his tormentor. He discovered after many years that Cesar had gone to prison for his involvement in investment fraud. Cesar is a marginal figure through much of the book, and when we finally meet him, his impact is underwhelming; he comes off as an evasive and self-deluding hollow man with a repertoire of pathetic shady business ventures. But Kurzweil crafts an entertaining, sharply reported picaresque centering on the colorful leaders of the scam, who bamboozled their marks by posing as monocled European aristocrats and produced a fake deed from the fictional King of Mombessa, and on the investigators who caught them. The psychodrama between Kurzweil and Cesar doesn't have much emotional payoff, but it makes a serviceable hook for a comic-opera true crime saga that's ripe with hilarious humbuggery. Photos.