William Hazlitt
The First Modern Man
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- 11,99 €
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- 11,99 €
Description de l’éditeur
Romanticism is where the modern age begins, and Hazlitt was its most articulate spokesman. No one else had the ability to see it whole; no one else knew so many of its politicians, poets, and philosophers. By interpreting it for his contemporaries, he speaks to us of ourselves - of the culture and world we now inhabit. Perhaps the most important development of his time, the creation of a mass media, is one that now dominates our lives. Hazlitt's livelihoo was dependent on it. As the biography argues, he took political sketch-writing to a new level, invented sports commentary as we know it, and created the essay-form as practised by Clive James, Gore Vidal, and Michael Foot.
Duncan Wu's profile of one of the greatest journalists in the language draws on over a decade of archival research in libraries across Britain and North America, to reveal for the first time such matters as why Godwin broke with Hazlitt; how Hazlitt came to know Sir John Soane and J. M. W. Turner; the true nature of Hazlitt's dealings with Thomas Medwin, and what the likes of Joseph Farington and Sir Thomas Lawrence thought of him. In addition, it sheds new light on Hazlitt's dealings with such figures as Francis Jeffrey, Robert Stodart, John M'Creery, Henry Crabb Robinson, Joseph Parkes, John Cam Hobhouse, and Stendhal. It benefits also from Wu's New Writings of William Hazlitt, many of which make their appearance here, illuminating hitherto obscure passages of Hazlitt's life.
PUBLISHERS WEEKLY
If this workmanlike biography, by the editor of the two-volume New Writings of William Hazlitt, does not live up to the expansive promise of its subtitle, it nonetheless extends a welcome new hand to a transitional figure of the romantic age. Wu admirably reveals his subject's faults and virtues at every point of a crowded life. Always hard up for cash, and often considering himself a failure in the eyes of his Unitarian minister father, Hazlitt (1788 1830) was generally celebrated as a journalist and prose stylist by his contemporaries. He was also an exceptional philosopher and painter. Among his intimates, Hazlitt counted Dorothy and William Wordsworth, Coleridge, Bryon and Keats, Charles Lamb and Robert Southey. Hazlitt was a passionate lover of many women and frequent brothel visitor, all of which doomed his marriage to a wealthy woman from the start. He was also done in by an understandably suspicious brother-in-law. Hazlitt has been more fortunate in his modern critics, among them Somerset Maugham and Virginia Woolf. As Wu notes, Hazlitt's modernity depends on his penetrating grasp of psychology and on his place as "the father of modern literary criticism." 30 b&w illus.
