Wizard of the Wind
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- 3,99 €
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- 3,99 €
Description de l’éditeur
Jimmy Gill was only a child when he discovered radio and the wild, new rock and roll music it brought into his home. And, at an early age, he was accidentally immersed in radio's second "golden age" himself, becoming one of the deejays who were re-inventing the medium on the fly, fighting off the threat of television in the fifties and sixties.
From his accidental birth into the world of broadcasting, Gill eventually builds a media empire. But when he loses sight of the magic that brought him into the business in the first place, he almost loses all he has built, as well as the two people who matter most to him, his brilliant friend, Detroit Simmons, and Cleo Michaels, the beautiful country music star he loves.
If you've ever been mesmerized by the wizardry of the people who work their magic, distant and unseen, from behind a microphone, or been uplifted by the music spilling from your radio's speaker, then you'll love "Wizard of the Wind." And you'll hear the soundtrack playing as you read this remarkable novel by former award-winning broadcaster Don Keith!
Personally dedicated to more than 300 actual radio personalities...true wizards of the wind!
PUBLISHERS WEEKLY
A novel that begins with a two-page dedication to "radio personalities" and a scene that echoes the opening of Broadway Danny Rose--a bunch of deejays trading stories about their legendary peers--raises high expectations. Instead of a high-spirited and affectionate tale of rock-and-roll radio, however, Keith (The Forever Season) gives us the cautionary fable of Jimmy Gill, an orphan whose early love of radio in 1950s Birmingham changes his life. Indeed, he loses his soul as he grows from a disk jockey to the head of a satellite network. With his childhood friend Detroit Simmons, who has an intuitive aptitude for engineering, Gill parlays a radio station in Nashville into a satellite-uplinked national network of radio and cable-TV programming. But the money Gill uses to make the initial purchase comes from the drug-dealing of the dangerous George twins, and it comes back to haunt him at the height of his power and fame. All the ingredients are here for a great story, but Keith shows us far too much of Gill's corporate fall and not enough of the joy in his radio rise. As Gill becomes more interested in corporate power, his appeal plummets. Moreover, too many chapters read too often like print versions of a 1930s Hollywood biopic (Jimmy discovers the untapped power of FM; Jimmy discovers the untapped power of cable TV), and the ending is hokey and preachy.
