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Description de l’éditeur

This article explores the Athenaeum's editorial policy toward poets and reviewers of poetry. It explodes the myth that Theodore Watts-Dunton dominated the poetry section in the eighties and nineties by revealing the identities of four generations of women poets who acted as critics: Matilde Blind, Augusta Webster, Edith Nesbit, and Rosamund Marriott Watson. The Athenaeum reviews also reveal whether some female critics adopted a specifically 'feminine' style, concentrated on feminine themes, or generally reviewed from a feminine point of view. **********

GENRE
Professionnel et technique
SORTIE
1997
22 mars
LANGUE
EN
Anglais
LONGUEUR
35
Pages
ÉDITEUR
Nineteenth-Century Prose
TAILLE
217.3
Ko

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