You Can't Always Get What You Want
My Life with the Rolling Stones, the Grateful Dead and Other Wonderful Reprobates
-
- 11,99 €
-
- 11,99 €
Description de l’éditeur
A “straight-dope, tell-all account” of touring with two of the world’s greatest bands of the 60s and 70s—A “fast-moving narrative of rock-n-roll excess” (Publishers Weekly).
In this all-access memoir of the psychedelic era, Sam Cutler recounts his life as tour manager for the Rolling Stones and the Grateful Dead—whom he calls the yin and yang of bands. After working with the Rolling Stones at their historic Hyde Park concert in 1969, Sam managed their American tour later that year, when he famously dubbed them “The Greatest Rock Band in the World.” And he was caught in the middle as their triumph took a tragic turn during a free concert at the Altamont Speedway in California, where a man in the crowd was killed by the Hell’s Angels.
After that, Sam took up with the fun-loving Grateful Dead, managing their tours and finances, and taking part in their endless hijinks on the road. With intimate portraits of other stars of the time—including Janis Joplin, Jimi Hendrix, the Band, the Allman Brothers, Pink Floyd, and Eric Clapton—this memoir is a treasure trove of insights and anecdotes that bring some of rock’s greatest legends to life.
PUBLISHERS WEEKLY
Sex, drugs, and rock-n-roll play strong supporting roles for headliners the Rolling Stones and the Grateful Dead in this straight-dope, tell-all account of Cutler's years managing road shows for "the yin and yang of bands." A dissatisfied schoolteacher in 1960s London, Cutler turned his involvement with the music scene into a career as "a sort of production honcho, doing all the dirty work on site" that others wouldn't. His work with the Stones began with their 1969 appearance at Hyde Park, and continued through an entire U.S. tour, ending with the Altamont disaster in California. After that, Cutler took up with the Grateful Dead, managing finances and tours (including Europe '72). Cutler's memoir is populated by a fascinating range of rock stars, gangsters, and international drug lords, but his insider position doesn't always penetrate the chaos; one important exception is his account of Altamont, the massive, free, outdoor Stones concert overtaken by violence (among other record-setting details, Cutler reports that "police had done nothing in the face of serious violent crime... other than bravely towing away hundreds of cars"). Of certain interest to anyone who recalls the music scene of the early 1970s, this fast-moving narrative of rock-n-roll excess should also absorb music fans of any age.
