From the #1 New York Times and USA Today bestselling author Debbie Macomber comes a beautiful repackage of the classic novel that started it all.
Wishes for love bring hope from above.
Shirley, Goodness, and Mercy—three willing but sometimes wayward angels—are each given someone's prayer to answer . . .
Shirley: She's sent to help nine-year-old Timmy Potter, who longs for a new father. And although his mother, Jody, has vowed never to trust any man, Shirley is determined to help her love again.
Goodness: She knows Monica Fischer longs for a husband and home of her own, but the young woman has practically given up on finding the right man to stand by her side . . . until Goodness steps in to help.
Mercy: Can Mercy bring hope back into Leah Lundberg's life? This maternity nurse desperately wants a child to fill up the home she’s made with her husband, Andrew.
But there's just one catch: Each angel must teach her charge a memorable lesson before the prayer can be granted . . .
Macomber ( Morning Comes Softly ) borrows heavily from It's a Wonderful Life while following three kooky angels on Christmastime missions to earth. Mercy's weakness for machinery has led to escapades with motor scooters and escalators; she is assigned to help Leah, a maternity nurse who has been unable to get pregnant, find her faith again. Goodness, who enjoys showing up on movie screens, must help Monica, a prissy minister's daughter, find love. And Shirley has to help Timmy, a little boy who has written to God asking for a father. Despite the contemporary setting, these tales have a dated feel. Monica falls in love with a cheesy private detective; her scant sexual experience with him convinces her they should get married. Timmy's mother dates a man to whom she is attracted mostly because he tutors her son in baseball. Leah is so obssessed with her desire for a child that she makes love to her husband at only the most propitious time for conception. Although the angels are amusing, the humans whose lives they mean to set right lack character; one ending is patently unbelievable, while the other two are predictable.