'Highsmith's novels are peerlessly disturbing . . . bad dreams that keep us thrashing for the rest of the night' New Yorker
Sydney Bartleby has killed his wife. At least, he has thought about it, compulsively, repeatedly, plotting schemes, designing escapes, forging alibis. Of course he has; he's a thriller writer. He even knows how to dispose of her body. But when Alicia takes a long, unannounced holiday, Sydney descends into the treacherous world of his own fantasy.
A masterpiece of noir fantasy in which Highsmith revels in eliciting the unsettling psychological forces that lurk beneath the surface of everyday life.
Six years after her death, Patricia Highsmith is in the middle of a renaissance. Since the release of Anthony Minghella's film of The Talented Mr. Ripley, her stock has been steadily rising among readers. Two reissues, A Suspension of Mercy and Strangers on a Train, feed the flames. In A Suspension of Mercy, American freelance writer Sydney becomes obsessed with the putative murder of his English wife, Alicia; in Strangers on a Train, the source for Hitchcock's 1953 classic, one man's guilty conscience disrupts two men's criminal plans. The movie rights to A Suspension of Mercy have been optioned by Warner Bros. for Heyday Films.