All He Ever Wanted
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4.3 • 3 Ratings
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- £3.99
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- £3.99
Publisher Description
A man escaping from a hotel fire sees a woman standing beneath a tree. He approaches her and sets in motion a series of events that will change his life forever. Years later, traveling from New England to Florida by train, he reflects back on his obsession with this unknown and ultimately unknowable woman - his courtship of her, his marriage to her, and the unforgivable act that ripped their family apart.
Spanning three decades from 1899 to 1933, All He Ever Wanted gives us a tale of marriage, betrayal and the search for redemption. It has the unmatched attention to details of character, place and emotion that have made Anita Shreve one of the world's best-loved and bestselling novelists.
PUBLISHERS WEEKLY
In bestsellers such as Fortune's Rocks, Shreve has revealed an impeccably sharp eye and a generous emotional sensitivity in describing the moment when a man and a woman become infatuated with each. She is less successful this time out, perhaps because the epiphany is one-sided. Escaping from a New Hampshire hotel fire at the turn of the 20th century, Prof. Nicholas Van Tassel catches sight of Etna Bliss and is instantly smitten. She does not reciprocate his feeling, for she has her own unrequited lust, for freedom and independence. That they marry guarantees tragedy. Nicholas tells the story in retrospect, writing feverishly on a train trip in 1933 to his sister's funeral in Florida. His pedantic style is full of parenthetical asides, portentous foreshadowing and rhetorical throat. His erotic swoon commands sympathy, until it carries him past any definition of decency. He will do anything to bring down Philip Asher, his academic rival and the brother of Etna's true love, Samuel. He plays on prevailing anti-Semitism (the Ashers are Jewish), and he persuades his daughter, Clara, to claim that Philip touched her improperly, which besmirches not only Philip's reputation but Clara's as well. We see Etna herself only secondhand, except for some correspondence with Philip reproduced toward the end of the tale. Credit the author for making the point that Etna and her sisters had too little autonomy even to tell their own stories, but filtering Etna's experience through Nicholas's sensibility deprives the novel of intimacy and immediacy.
