Arlington Park
-
- £6.49
Publisher Description
Arlington Park, a modern-day English suburb, is a place devoted to the profitable ordinariness of life. Amidst its leafy avenues and comfortable houses, its residents live out the dubious accomplishments of civilisation: material prosperity, personal freedom, and moral indifference. For all that, Arlington Park is strikingly conventional. Men work, women look after children, and people generally do what's expected of them. Theirs is a world awash with contentment but empty of belief, and riven with strange anxieties.
Set over the course of a single rainy day, the novel moves from one household to another, and through the passing hours conducts a deep examination of its characters' lives: of Juliet, enraged at the victory of men over women in family life; of Amanda, warding off thoughts of death with obsessive housework; of Solly, who confronts her own buried femininity in the person of her Italian lodger; of Maisie, despairing at the inevitability with which beauty is destroyed; and of Christine, whose troubled, hilarious spirit presides over Arlington Park and the way of life it represents.
Rachel Cusk's sixth novel is her best yet. Full of compassion and wit, each page laden with truth, she writes about her characters' domestic lives, their private thoughts and fears with an intelligence and insight that will leave readers reeling.
PUBLISHERS WEEKLY
In this devastating ensemble novel, Whitbread Award winner Cusk (Saving Agnes) exposes the roiling inner lives and not-so-quiet desperation of young mothers in the well-to-do London suburb Arlington Park. The book's single day begins with an epic rainstorm that wakes part-time private-school English teacher Juliet Randall, who spent the previous evening at a wealthier neighbor's home and was told, in front of husband Benedict, "You want to be careful.... You can start to sound strident at your age." As Amanda Clapp strains to maintain her house's empty perfection, a multi-kid play date gets out of control. Maisie Carrington feels "imprisoned for life" by her frosty, upper-crust childhood, and can barely contain her violent feelings toward her own daughters. Christine Lanham, a newcomer to the class distinction her marriage has brought her, abhors the hypocrisy that surrounds her, but knows she will never leave her family. The story line coils around each woman's home until it gathers the group for a drunken dinner party, where husbands express pleasure with their privilege while fretting that something feels amiss, and children, exhausted by their mothers' alternating neglect and desperate love, sleep like the dead leaving the women holding hot coals of their silent insights. Their plight is an old story, but Cusk makes it incisively vivid.
