'Enchanting, achingly funny and uplifting, Ayesha at Last is a must read!' Randa Abdel-Fattah
A big-hearted, captivating, modern-day Muslim Pride and Prejudice, with hijabs instead of top hats and kurtas instead of corsets.
AYESHA SHAMSI has a lot going on. Her dreams of being a poet have been overtaken by a demanding teaching job. Her boisterous Muslim family, and numerous (interfering) aunties, are professional naggers. And her flighty young cousin, about to reject her one hundredth marriage proposal, is a constant reminder that Ayesha is still single.
Ayesha might be a little lonely, but the one thing she doesn't want is an arranged marriage. And then she meets Khalid... How could a man so conservative and judgmental (and, yes, smart and annoyingly handsome) have wormed his way into her thoughts so quickly?
As for Khalid, he's happy the way he is; his mother will find him a suitable bride. But why can't he get the captivating, outspoken Ayesha out of his mind? They're far too different to be a good match, surely...
In this excellent modern retelling of Jane Austen's Pride and Prejudice, aspiring poet Ayesha Shamsi juggles her dreams and the stifling expectations of Toronto's Indian-Muslim community. She picks a practical career as a high school teacher and watches as her flighty younger cousin, Hafsa, collects marriage proposals like trading cards. After a misunderstanding, Ayesha pretends to be Hafsa while planning a youth conference, where she is required to collaborate with conservative Khalid, a newcomer to the area. Ayesha pegs Khalid as rigid and judgmental on their first meeting because of his white robes and reserved behavior. She doesn't object to arranged marriages, but believes compatibility is important, and she scorns Khalid's complacency with accepting his mother's choice of bride. Family loyalty is a recurring theme, as Ayesha puts her hopes of being a poet on hold while she earns money to repay her wealthy uncle and Khalid refuses to question his overbearing mother. As Ayesha and Khalid work on the conference together, Khalid learns to accommodate different viewpoints. With humor and abundant cultural references, both manifest in the all-seeing all-criticizing aunty brigade, Jalaluddin cleverly illustrates the social pressures facing young Indian-Muslim adults. Jalaluddin stays true to the original Austen while tackling meatier issues likes workplace discrimination, alcoholism, and abortion. Even readers unfamiliar with Austen's work will find this a highly entertaining tale of family, community, and romance.