Bitter Seeds Bitter Seeds
Book 1 - Milkweed Triptych

Bitter Seeds

The thrilling novel where British warlocks and German superhuman soldiers collide

    • 3.5 • 8 Ratings
    • £2.99
    • £2.99

Publisher Description

'A major talent' George R. R. Martin
'A confident and thrilling debut' SFX

Bitter Seeds is the first novel in Ian Tregillis's Milkweed Triptych series - a dark and thrilling masterpiece featuring a twentieth century much like our own, but also chillingly different.

The year is 1939. Raybould Marsh and other members of British Intelligence have gathered to watch a damaged reel of film in a darkened room. It appears to show German troops walking through walls, bursting into flames and hurling tanks into the air from afar.

If the British are to believe their eyes, a Nazi scientist has been endowing German troops with unnatural, unstoppable powers. And Raybould will be forced to resort to dark methods to hold the impending invasion at bay.

But dealing with the occult exacts a price. And that price must be paid in blood.

Praise for Bitter Seeds:

'A white-knuckle plot, beautiful descriptions, and complex characters - an unstoppable Vickers of a novel' Cory Doctorow

'Bitter Seeds may rival Naomi Novik's Tales of Temeraire as a sustained historical fantasy' Booklist

'Tregillis delivers a dynamite first novel' SFREVU

'Exciting and intense . . . The clash of magic and science meshes perfectly with the tumultuous setting' Publishers Weekly

'Receives my highest recommendations' SFFWORLD

The Milkweed Triptych
Bitter Seeds
The Coldest War
Necessary Evil

Also by Ian Tregillis:

The Alchemy Wars
The Mechanical
The Rising
The Liberation

GENRE
Sci-Fi & Fantasy
RELEASED
2012
12 July
LANGUAGE
EN
English
LENGTH
368
Pages
PUBLISHER
Little, Brown Book Group
SIZE
1.2
MB

Customer Reviews

Trisfitz ,

Great concept. Hack writing.

The use of occult powers on both sides to swing World War 2 is a great conceit - though obviously explored before in various media. All the nonsense that Himmler got up to at Wewelsburg provides a rich territory for fantasy. Therefore I came to this novel hoping for good things.

I was not to find them. The writing is so poor I gave up on the book a third of the way through.

Admittedly this may be because I am British I can detect that the US author has a tin ear for the nuances of speech in my homeland (for instance, pavements are referred to as 'sidewalks'). Therefore the dialogue between Brits fell flat, as did the interior monologues of the main protagonists.

The problems do not end there. The characterisation lacks subtlety, emotions inserted artificially to demonstrate our heroes have feelings, rather than seamlessly integrated into the weft and weave of the novel.

I point the reader to Neal Stephenson's Cryptonomicon to see how well an American author can write about British characters and WW2 in this genre.

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