Casa Rossa
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4.5 • 2 Ratings
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- £3.99
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- £3.99
Publisher Description
This second novel by the author of the acclaimed Rules of the Wild is very much in the tradition of The Leopard or The Garden of the Finzi-Continis, a compelling story of three generations in twentieth-century Italy. Casa Rossa, the home of the Strada family, is a magnificent farmhouse standing amidst the olive groves of Puglia. The story opens as the house is being sold. Alina, the daughter entrusted with packing it up, is piecing together the fragments of her family's past. Her grandmother, Renee, a beautiful Tunisian pied noir, muse and model to Alina's painter grandfather, left him for a woman and fled to Paris. Her mother Alba, who grew up at Casa Rossa, marries a melancholic screenwriter, who dies in mysterious circumstances. And then there is her sister Isabella, once her best friend, who becomes a stranger caught up in a bitter fight for a dangerous ideology. The sisters' love for each other is always precarious, and in time shifts to a betrayal of which they can never speak. A haunting story of what happens when family secrets collide with history, Casa Rossa moves from the duplicity of Italy's role in the 1930s to the dark years of Red Brigade's terrorism in the seventies. Intricate, moving, suspenseful, Casa Rossa confirms Francesca Marciano as a writer of remarkable gifts.
PUBLISHERS WEEKLY
In this passionate tale of three generations of one 20th-century Italian family, Marciano brings Southern Italy as boldy to life as she did Kenya in her first novel, the well-received Rules of the Wild(1998). As Alina Strada prepares to sell the family farmhouse in Puglia, she reflects on the tumultuous past, beginning with the purchase and restoration of the crumbling farmhouse before WWII by her grandfather, Lorenzo, a moderately successful portrait painter. When Lorenzo's Tunisian wife and model, Ren e, runs off with a German woman, he takes revenge by painting a huge nude of Ren e on the inner patio wall. After a brief nervous breakdown, he marries his nurse, Jeanne, who immediately has the white stone house, so typical of the region, painted red hence the name Casa Rossa and the nude mural covered up. Lorenzo's daughter, Alba, has two daughters, Alina and Isabella, by her dashing husband, Oliviero, who leaves a murky legacy after his early demise. As the girls mature and governments come and go in postwar Italy, Alina has a brush with drugs, while her less fortunate sister, Isabella, joins a group of terrorists. Alina works for a time with a Fellini-esque filmmaker before moving to New York, where she gets a job at an art gallery and falls in love with an American. Alina's perspective on 1980s New York nicely complements her American boyfriend's subsequent view of Italy. The intricate complications may challenge belief, but the author imperturbably weaves them together into a glamorous, romantic whole.
