The seventh book in the Kay Scarpetta series, from No. 1 bestselling author Patricia Cornwell.
'America's most chilling writer of crime fiction' The Times
An investigative reporter is found dead in Virginia's icy waters . . .
New Year's Eve and the final murder scene of Virginia's bloodiest year takes Scarpetta thirty feet below the Elizabeth River's icy surface. A diver, Ted Eddings, is dead, an investigative reporter who was a favourite at the Medical Examiner's office. Was Eddings probing the frigid depths of the Inactive Shipyard for a story, or simply diving for sunken trinkets? And why did Scarpetta receive a phone call from someone reporting the death before the police were notified?
The case envelops Scarpetta, her niece Lucy, and police captain Pete Marino in a world where both cutting-edge technology and old-fashioned detective work are critical offensive weapons. Together they follow the trail of death to a well of violence as dark and forbidding as water that swirled over Ted Eddings.
Praise for the groundbreaking series:
'One of the best crime writers writing today' Guardian
'Devilishly clever' Sunday Times
'The top gun in this field' Daily Telegraph
'Forget the pretenders. Cornwell reigns' Mirror
'The Agatha Christie of the DNA age' Express
First, the good news: the omni-competent Kay Scarpetta is back, along with her sidekicks, in a murder mystery that's tighter than her last escapade, From Potter's Field. Chief medical examiner for the state of Virginia and an FBI consultant, Kay finds ample opportunity to demonstrate her skills in the autopsy room and outside it, too: here, she also dives with a Navy SEAL rescue squad and, through her computer-genius niece Lucy, an FBI agent, takes an up-close-and-personal look at a robot operated via virtual reality. But there is bad news: the work lacks the extraordinary, can't-go-to-bed-til-you're-finished suspense of Cornwell's earlier novels, e.g. Cruel and Unusual. The killers here, members of a nihilistic, fascist cult who think their founder akin to God, are identified early on but never developed as characters. Their crimes, while heinous, don't baffle and tease the reader (or Kay) in the manner of the villain Temple Gault, who was dismissed in the last book. While Cornwell's authoritative presentation of forensic sleuthing, FBI procedures and high-tech crime-fighting compensates mightily for the overneat dovetailing of characters' paths and even the implausible role Kay plays in the climax, the hurried, almost slapdash pace of the climactic scenes is disappointing from so accomplished a writer. But even at less than her best, Cornwell remains a master of the genre, instilling in readers an appetite that only she can satisfy. One million first printing; $750,000 ad/promo; Literary Guild, Mystery Guild and Doubleday Book Club main selections.