Core Samples from the World
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- £6.99
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- £6.99
Publisher Description
A gorgeous, wide-ranging volume of poetry and essays by Forrest Gander, studded with the work of three great photographers.
Forrest Gander’s Core Samples from the World is a magnificent compendium of poetry, photography, and essay (a form of Japanese haibun). Collaborating with three acclaimed photographers, Gander explores tensions between the familiar and foreign. His eloquent new work voices an ethical concern for others, exploring empathic relations in which the world itself is fundamental. Taking us around the globe to China, Mexico, Bosnia-Herzegovina, and Chile, Core Samples shows how Gander’s “sharp sense of place has made him the most earthly of our avant-garde, the best geographer of fleshly sites since Olson” (Donald Revell, The Colorado Review).
PUBLISHERS WEEKLY
Gander is an experimental poet in the most literal sense of the word, in that each of his books attempts things that haven't been tried before, either by him or others. In this eighth collection, four sequences of poems respond to pictures by three photographers Raymond Meeks, Graciela Iturbide, and Lucas Foglia making of the images metaphors for people and places that are easy to see but difficult to penetrate. The poems don't describe the pictures so much as work in chorus with them; in a poem on whose facing page is a Meeks photo of a shirtless, dust-covered boy carrying a basket, Gander writes: "I cannot be discarded, his eyes say," which is as much a response to the picture as it is a challenge to the visitor to take the unfamiliar place on its own terms. Concluding each section is a piece of jumpy prose, a kind of lyric essay, narrating one of four journeys to Xinjiang, Mexico, Bosnia-Herzegovina. and Chile all of which serve to illustrate that "Behind everything/ the foreigner sees, something he doesn't/ know how to look for." In these pieces, Gander gets as close as one can to the sensations of being an outsider straining toward empathy: "I wanted to borrow eyes/ from another language," he writes. "I was looking for the words to come."