- Expected 18 Feb 2020
This is the writing about jazz that we've been waiting for - Mike Westbrook
The sheer descriptive verve, page after page, made me want to listen to every single musical example cited. A major achievement - Stephen Hough
'Definitive . . . remarkable. Clark writes intelligently and joyously.' - Mojo
In 2003, music journalist Philip Clark was granted unparalleled access to jazz legend Dave Brubeck. Over the course of ten days, he shadowed the Dave Brubeck Quartet during their extended British tour, recording an epic interview with the bandleader. Brubeck opened up as never before, disclosing his unique approach to jazz; the heady days of his 'classic' quartet in the 1950s-60s; hanging out with Duke Ellington, Charlie Parker, Louis Armstrong, and Miles Davis; and the many controversies that had dogged his 66-year-long career.
Alongside beloved figures like Ella Fitzgerald and Frank Sinatra, Brubeck's music has achieved name recognition beyond jazz. But finding a convincing fit for Brubeck's legacy, one that reconciles his mass popularity with his advanced musical technique, has proved largely elusive. In Dave Brubeck: A Life in Time, Clark provides us with a thoughtful, thorough, and long-overdue biography of an extraordinary man whose influence continues to inform and inspire musicians today.
Structured around Clark's extended interview and intensive new research, this book tells one of the last untold stories of jazz, unearthing the secret history of 'Take Five' and many hitherto unknown aspects of Brubeck's early career - and about his creative relationship with his star saxophonist Paul Desmond. Woven throughout are cameo appearances from a host of unlikely figures from Sting, Ray Manzarek of The Doors, and Keith Emerson, to John Cage, Leonard Bernstein, Harry Partch, and Edgard Varèse. Each chapter explores a different theme or aspect of Brubeck's life and music, illuminating the core of his artistry and genius.
Music journalist Clark explores the life of composer and bandleader Dave Brubeck (1920 2012) in this concise but comprehensive biography. Culling from 10 days of interviews with the pianist in 2003, Clark analyses Brubeck's music, citing the pianist's "absorption in composition, the various ways in which composed music intersected with his unassailable belief in the urgency of improvisation, formed his approach to the piano which became a laboratory in sound for this composer who improvised and improviser who composed." The author further explores Brubeck's 1959 odd meter masterpiece in 5/4 time, "Take Five"; the equally complex "Blue Rondo la Turk" and "It's a Raggedy Waltz"; and his innovative concept albums, including Time Out and Jazz Impressions of Eurasia. Clark details fascinating points from Brubeck's life including studying classical music with Darius Milhaud at Mills College, his time in the army, his refusal to play in the segregated South because his black bassist was not allowed to be on the same stage, and performing with his sons later in life. Clark hits the right notes for die-hard Brubeck disciples and jazz neophytes alike.