Diary: October 2003‪.‬

Exhibitions

Edenistic Divergence

Brice Marden

Praha

Testing the Canon of Ancient Near Eastern Art and Archaeology

The New York Market for French Art in the Gilded Age, 1867–1893

Gauguin and a Brothel in Arles: Gauguin's Stay in Arles with van Gogh in 1888 had a Transforming Impact on His Art Parry Because It was Also a Time of Sexual Awakening, Argues Martin Gayford, Using Newly Discovered Evidence (Paul Gauguin)

Neglected Catalysts: The Function of Drawings and Paintings in Barbara Hepworth's Oeuvre.

Britain and the Bauhaus: Alan Powers Challenges the View That the Reception of the Bauhaus in 1930S Britain Went Little Futher Than Providing Temporary Shelter for Some of Its Teachers. Common Roots with the Bauhaus in the Arts and Crafts Movement Helps to Explain a Lively British Interest in the School's Ideals, Among Not Only Architects But Also Designers--and Even Puppeteers (Essay)

Vital English Art: Futurism and the Vortex of London 1910-14: C.R.W. Nevinson's Pre-war Association with the Italian Futurists Profoundly Affected His Art But Led to an Irreparable Split with the Rest of the English Avant-Garde. Michael Walsh Explores Nevinson's Art in This Formative Period, Using Recently Discovered Images of Lost Paintings.

Carpets in the Victoria and Albert Museum.

Prunella Clough: 1919-1999: Seeing the World Sideways (Prunella Clough at Olympia) (Biography)