Double Vision
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4.5 • 4 Ratings
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- £4.99
Publisher Description
From the Booker Prize-winning and Women's Prize-shortlisted author of The Silence of the Girls
A powerfully thought-provoking portrait of modern warfare from one of the modern masters of war fiction
'Barker is one of our most significant contemporary novelists' Daily Telegraph
'The characters grab hold at the beginning and never loosen their grip. Barker holds us by the sheer beauty of her writing' Financial Times
'Barker has a quite extraordinary ability to combine complexity and clarity and to make both seem parts of the same whole' Sunday Times
Returning to Afghanistan after his photographer friend is killed by a sniper, war reporter Stephen Sharkey seeks release from his nightmares in an England seemingly at peace with itself. Questioning man's inhumanity to man both abroad and at home, and whether love really can be the great redeemer, Double Vision is a searing novel of conflict in modern times.
PUBLISHERS WEEKLY
The quaint English village of Barker's 10th novel is a world away from the wars in Bosnia, Afghanistan and elsewhere that have scarred its main characters, but the specter of violence still looms. Kate Frobisher, a sculptor working on a monumental figure of Jesus, is recovering from a car accident and grieving for her husband, Ben, a war photographer killed in Afghanistan. Stephen Sharkey, a journalist (and friend of Ben's) suffering from post-traumatic stress syndrome after covering Bosnia, Rwanda and other conflicts, has left London and a failed marriage to write a book about "the way wars are represented." An ensemble cast gathers around these two haunted figures: Stephen's brother Robert and his family; Alec Braithewaite, the friendly vicar, and his Cambridge-bound daughter Justine; and Peter Wingrave, Kate's studio assistant and Justine's ex. A predictable mix of domestic drama (the Sharkeys' marital woes, a romance between Stephen and Justine) plays out against the backdrop of current events, but the real theme of this insightful, harrowing novel is violence: its impact on victims, but also on those who witness it and those who tell the tale. As Barker's characters are forced to acknowledge, aggression and brutality are close at hand. And Barker spares no unsettling effect animals are turned into bloody heaps of roadkill; Kate grows paranoid about solitary Peter; Justine is the victim of a terrible beating. The effect of such unrelenting darkness is to render the story less dramatic and convincing, but this is still a gripping novel, noteworthy for the author's gifts as a stylist and her formidable, engaged intelligence.
