Third book of the original and best CITY WATCH series, now reinterpreted in BBC's The Watch
'The work of a prolific humorist at his best' Observer
The Discworld is very much like our own - if our own were to consist of a flat planet balanced on the back of four elephants which stand on the back of a giant turtle, that is . . .
'Sorry?' said Carrot. If it's just a thing, how can it commit murder? A sword is a thing' - he drew his own sword; it made an almost silken sound - 'and of course you can't blame a sword if someone thrust it at you, sir.'
For Commander Vimes, Head of Ankh-Morpork City Watch, life consists of troubling times, linked together by...well, more troubling times.
Right now, it's the latter. There's a werewolf with pre-lunar tension in the city, and a dwarf with attitude and a golem who's begun to think for itself, but that's just ordinary trouble. The real problem is more puzzling - people are being murdered, but there's no trace of anything alive having been at the crime scene.
So Vimes not only has to find out whodunit, but howdunit too. He's not even sure what they dun. But soon as he knows what the questions are, he's going to want some answers.
A flat platter of a planet spinning atop the backs of four giant elephants perched on the shell of an immense turtle: it's no surprise that life on Discworld is far from mundane. Pratchett's 17th Discworld novel picks up where his last, Men at Arms, left off, following Ankh-Morpork City Watch Commander Samuel Vimes and his fellow cops as they strive to maintain a semblance of order in a city as infamous for its intrigues as for its ethnic diversity. An elderly priest is killed, then the harmless old curator of the Dwarf Bread Museum is found beaten to death with one of his own exhibits. Investigation reveals a link to the city's golems--silent, tireless workers built of clay and brought to life with magic. There's a rash of golem suicides, and Vimes uncovers a plot that could topple the government. Pratchett's latest is full of sly puns and the lively, outrageous characters his readers expect. Those new to Discworld--which first appeared in Pratchett's The Colour of Magic, 1983--will have no trouble keeping up with the action. This is fantasy served with a twist of Monty Python, parody that works by never taking itself too seriously. Author tour; U.K. and translation rights: Ralph Vicinanza.
Good and wonderful