Fog
A Novel
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- £15.99
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- £15.99
Publisher Description
Fog is a fresh new translation of the Spanish writer Miguel de Unamuno’s Niebla, first published in 1914. An early example of modernism’s challenge to the conventions of nineteenth-century realist fiction, Fog shocked critics but delighted readers with its formal experimentation and existential themes. This revolutionary novel anticipates the work of Sartre, Borges, Pirandello, Nabokov, Calvino, and Vonnegut.
The novel’s central character, Augusto, is a pampered, aimless young man who falls in love with Eugenia, a woman he randomly spots on the street. Augusto’s absurd infatuation offers an irresistible target for the philosophical ruminations of Unamuno’s characters, including Eugenia’s guardian aunt and “theoretical anarchist” uncle, Augusto’s comical servants, and his best friend, Victor, an aspiring writer who introduces him to a new, groundbreaking type of fiction. In a desperate moment, Augusto consults his creator about his fate, arguing with Unamuno about what it means to be “real.” Even Augusto’s dog, Orfeo, offers his canine point of view, reflecting on the meaning of life and delivering his master’s funeral oration.
Fog is a comedy, a tragic love story, a work of metafiction, and a novel of ideas. After more than a century, Unamuno’s classic novel still moves us, makes us laugh, and invites us to question our assumptions about literature, relationships, and mortality.
PUBLISHERS WEEKLY
Unamuno's metafictional tale of the unfortunate Augusto P rez, a philosophical tragicomedy originally published in 1914, predates much other fiction of its kind. Augusto is a wealthy, lonely man still adjusting to his life after his beloved mother's recent death. He becomes obsessed with Eugenia, a beautiful woman he sees in passing, and now feels like his life finally has a purpose. He makes his intentions known to her through a letter and learns that she is already involved with another man, Mauricio. Meanwhile, Augusto finds and adopts a stray dog who becomes his confidant, Eugenia's aunt and uncle scheme to facilitate the match between her and Augusto, and Eugenia and Mauricio begin to hatch a scheme of their own to use Augusto for their gain. Augusto's personal crisis escalates to the point where he eventually confronts Unamuno himself, resulting in a brand-new existential dilemma both hilarious and engrossing. This nimbly constructed metanarrative features buoyant prose and surprising tenderness, leading the reader to unexpected places.
