Gore Vidal

PUBLISHERS WEEKLY 4 OCT 1999

Kaplan has written esteemed lives of Henry James, Dickens and Carlyle and is a professor of English at Queens College. He candidly admits, in a "prelude" that opens the book, "I prefer my subjects dead," and perhaps having a subject not yet dead has made it more difficult for Kaplan to synthesize the life and work, to put Vidal into context and to pinpoint the telling details of his subject's productive life. For this extremely long biography showcases erudition at the expense of selection, and the book drowns in encyclopedic detail. Much of the detail, drawn from Kaplan's access to Vidal's papers, is enlightening. Kaplan is especially good on Vidal's relationships with his editors at publishing companies and magazines and his friendships and feuds with Joanne Woodward, Christopher Isherwood, Tennessee Williams, Norman Mailer, William Buckley and others. His analysis of Vidal's multifarious work (novels, essays, plays, screenplays) is often elucidating. His accounts of Vidal's various runs for office are also useful. Yet it is annoying to read long-winded prose with a disappointing lack of immediacy. (Compare, for instance, Gerald Clarke's scintillating biography of Truman Capote, also about a contemporary writer known for his wit and style, and also written with the cooperation of its subject.) Kaplan, falling far short of that standard, convinces the reader that Vidal's unusually vast involvement with the political and literary life of his times is impressive, without seeming to draw much inspiration from Vidal's own biting prose, which, though cited dutifully, fails to spark in this context. Rather than coming to life, Vidal seems entombed within the pages of this book. 12 pages b&w photos.