Hateship, Friendship, Courtship, Loveship, Marriage
-
-
3.8 • 4 Ratings
-
-
- £4.99
-
- £4.99
Publisher Description
WINNER OF THE NOBEL PRIZE IN LITERATURE
In these stories lives come into focus through single events or sudden memories which bring the past bubbling to the surface. The past, as Alice Munro's characters discover, is made up not only of what is remembered, but also what isn't. The past is there, just out of the picture, but if memories haven't been savoured, recalled in the mind and boxed away, it's as if they have never been - until a moment when the pieces of the jigsaw re-form suddenly, sometimes pleasurably but more often painfully. Women look back at their young selves, at first marriages made when they were naive and trusting, at husbands and their difficult, demanding little ways.
There is in this new collection an underlying heartbreak, a sense of regret in her characters for what might have been, for a fork in the road not taken, a memory suppressed in an act of prudent emotional housekeeping. But at the same time there is hope, there are second chances - here are people who reinvent themselves, seize life by the throat, who have moved on and can dare to conjure up the hidden memories, daring to go beyond what is remembered.
PUBLISHERS WEEKLY
A writer of Munro's ilk hardly needs a hook like the intriguing title of her 10th collection to pull readers into her orbit. Serving as a teasing introduction to these nine brilliantly executed tales, the range of mentioned relationships merely suggests a few of the nuances of human behavior that Munro evokes with the skill of a psychological magician. Johanna Parry, the protagonist of the title story, stands alone among her fictional sisters in achieving her goal by force of will. A rough, uneducated country girl, blatantly plain ("her teeth were crowded into the front of her mouth as if they were ready for an argument"), she seems doomed to heartbreak because of a teenager's trick, but the bracingly ironic denouement turns the reader's dire expectations into glee. The women in the other stories generally cannot control their fate. Having finally been reunited with the soul mate of her youth, the narrator of "Nettles" discovers that apparently benevolent fate can be cruel. In a similar moment of perception that signals the end of hope, Lorna in "Post and Beam" realizes that she is condemned to a life of submission to her overbearing, supercilious husband; ironically, her frowsy country cousin envies Lorna's luck in escaping their common origin. In nearly every story, there's a contrast between the behavior and expectations of country people and those who have made it to Toronto or Vancouver. Regardless of situation, however, the basics of survival are endured in stoic sorrow. Only the institutionalized wife of a philanderer in "The Bear Came Over the Mountain" manages to outwit her husband, and she has to lose her sanity to do it. All of the stories share Munro's characteristic style, looping gracefully from the present to the past, interpolating vignettes that seem extraneous and bringing the strands together in a deceptively gentle windup whose impact takes the breath away. Munro has few peers in her understanding of the bargains women make with life and the measureless price they pay.
