House of Names
-
-
4.3 • 3 Ratings
-
-
- £5.99
Publisher Description
THE TOP 10 SUNDAY TIMES BESTSELLER
'They cut her hair before they dragged her to the place of sacrifice. Her mouth was gagged to stop her cursing her father, her cowardly, two-tongued father. Nonetheless, they heard her muffled screams.'
On the day of his daughter's wedding, Agamemnon orders her sacrifice.
His daughter is led to her death, and Agamemnon leads his army into battle, where he is rewarded with glorious victory.
Three years later, he returns home and his murderous action has set the entire family - mother, brother, sister - on a path of intimate violence, as they enter a world of hushed commands and soundless journeys through the palace's dungeons and bedchambers. As his wife seeks his death, his daughter, Electra, is the silent observer to the family's game of innocence while his son, Orestes, is sent into bewildering, frightening exile where survival is far from certain. Out of their desolating loss, Electra and Orestes must find a way to right these wrongs of the past even if it means committing themselves to a terrible, barbarous act.
House of Names is a story of intense longing and shocking betrayal. It is a work of great beauty, and daring, from one of our finest living writers.
PUBLISHERS WEEKLY
T ib n's 11th novel retells the ancient Greek tale of Clytemnestra, who kills her husband Agamemnon to avenge the death of their daughter Iphigenia, and her son Orestes, who kills her in turn to avenge his father's death. The narrators of the novel are Clytemnestra, Orestes, Orestes's sister Electra, and Clytemnestra's ghost. Clytemnestra begins by recalling that, for one fleeting moment at Agamemnon's army encampment when eight-year-old Orestes was on his father's shoulder, and 16-year-old Iphigenia in her father's embrace, they seemed the ideal family. Then Agamemnon sacrificed Iphigenia (so he could sail off to war). Clytemnestra plots revenge. Back home at the palace, she seeks help from wily Aegisthus, who, though a prisoner, wields extensive power. When Agamemnon returns, Clytemnestra greets him with a hot bath and a knife in the throat. Later she discovers Aegisthus has kidnapped Orestes to strengthen his hold over her. Orestes takes refuge on a farm, while Electra remains at the palace haunted, powerless, craving payback. After brother and sister reunite, Orestes kills their mother. The novel ends with the appearance of Clytemnestra's ghost and the birth of a baby. T ib n refreshes a classic in part by imagining Orestes's backstory with his friend Leander in a key role and in part by depicting in stark prose vibrant settings, such as palace hallways where shadowy figures conspire. The result is a dramatic, intimate chronicle of a family implosion set in unsettling times as gods withdraw from human affairs. Far from the Brooklyn or Ireland of his recent bestsellers, T ib n explores universal themes of failure, loss, loneliness, and repression.
