How Beautiful We Were
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4.3 • 3 Ratings
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- £5.99
Publisher Description
A PEN/FAULKNER AWARD FINALIST
'Sweeping and quietly devastating' New York Times
'A David and Goliath story for our times' O, the Oprah Magazine
Set in the fictional African village of Kosawa, this is the story of a people living in fear amidst environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of clean-up and financial reparations are made – and broken. Left with few choices, the people of Kosawa decide to fight back. But it will come at a steep price – one which generation after generation will have to pay.
How Beautiful We Were is a masterful exploration of what happens when the reckless drive for profit, coupled with the ghost of colonialism, comes up against one community’s determination to hold onto its ancestral land and a young woman’s willingness to sacrifice everything for the sake of her people’s freedom.
PUBLISHERS WEEKLY
Mbue follows up her PEN/Faulkner-winning Behold the Dreamers with a stirring, decades-spanning portrait of an African village striking back against environmental exploitation. In the 1980s in the fictional village of Kosawa, children are dying, poisoned by American oil company Pexton's leaking pipelines. One small act of sabotage a villager steals a couple of Pexton representatives' car keys spurs Kosawa's residents to kidnap their corrupt village headman and the two oilmen whose keys were stolen, and triggers a chain reaction of tiny revolutions that reverberate for generations through transatlantic radicalization and violence in Kosawa, told through the fortunes and failures of Thula Nangi and her family. Thula's father, Malabo Nangi, vanished in the capital petitioning for government intervention; her uncle Bongo is spurred to seek foreign aid after Malabo disappears; and Thula becomes a charismatic revolutionary. With a kaleidoscope of perspectives, Mbue lyrically charts a culture in the midst of change, and poses ethical questions about the resisters' complex set of motives. While a series of repeated reminiscences from various characters and explicit moral lessons stall the momentum, Mbue's portrayal of Kosawa's disintegration is nevertheless heartbreaking. This ruminative environmental justice elegy fills a broad canvas, but falls just short of being a masterpiece.
