WINNER OF THE WOMEN'S PRIZE FOR FICTION 2015
WINNER OF THE GOLDSMITHS PRIZE 2014
WINNER OF THE 2014 COSTA NOVEL AWARD
'I take my hat off to Ali Smith. Her writing lifts the soul' Evening Standard
How to be both is a novel all about art's versatility. Borrowing from painting's fresco technique to make an original literary double-take, it's a fast-moving genre-bending conversation between forms, times, truths and fictions. There's a renaissance artist of the 1460s. There's the child of a child of the 1960s.
Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real - and all life's givens get given a second chance.
'Brims with palpable joy' Daily Telegraph
'She's a genius, genuinely modern in the heroic, glorious sense' Alain de Botton
'A delight. A masterpiece. Magical' Sunday Times
WINNER OF THE SALTIRE SOCIETY LITERARY BOOK OF THE YEAR AWARD 2014
SHORTLISTED FOR THE MAN BOOKER PRIZE 2014
Ali Smith's new novel, Companion piece, is available to pre-order now.
APPLE BOOKS REVIEW
Reading How to be both is a splendidly dizzying affair, like an amusement park ride that tilts your perspective in exciting and unexpected ways. The inventive novel—winner of the 2015 Baileys Women's Prize for Fiction—presents two separate but mysteriously linked stories: one of a free-spirited Renaissance artist and another about a headstrong British teen reeling from the sudden death of her mother in the ’60s. Scottish author Ali Smith slyly toys with our expectations, writing with impressionistic beauty and creativity about identity, regret and the burning desire to break free of limiting expectations.
British author Smith (There but for The), a playful, highly imaginative literary iconoclast, surpasses her previous efforts in this inventive double novel that deals with gender issues, moral questions, the mystery of death, the value of art, the mutability of time, and several other important topics. Two books coexist under the same title, each presenting largely the same material arranged differently and with different emphases; which narrative one reads first depends on chance, as different copies of the book have been printed with different opening chapters. In one version, the androgynous adolescent character George (for Georgia) is mourning the sudden death of her mother following a family trip to Italy, where they viewed a painting by the obscure Renaissance artist Francesco del Cossa. The alternate volume begins with Francesco, recounting stories of the painter's youth and the ongoing creation of a fresco in a palazzo in Ferrara, a process described in vibrant detail. Francesco's secret is disclosed in both sections teasingly in one, overtly in the other. The narratives are captivating, challenging, and often puzzling, as the prose varies among contemporary vernacular English, archaic 15th-century rhetoric interposed with fragments of poetry, and unpunctuated stream-of-consciousness narration. Clever puns and word games abound. George's mother accurately identifies the subtext when she says, "Art makes nothing happen in a way that makes something happen." Smith's two-in-one novel is a provocative reevaluation of the form.