In Search of the Black Fantastic
Politics and Popular Culture in the Post-Civil Rights Era
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- £16.99
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- £16.99
Publisher Description
Prior to the 1960s, when African Americans had little access to formal political power, black popular culture was commonly seen as a means of forging community and effecting political change.
But as Richard Iton shows in this provocative and insightful volume, despite the changes brought about by the civil rights movement, and contrary to the wishes of those committed to narrower conceptions of politics, black artists have continued to play a significant role in the making and maintenance of critical social spaces. Iton offers an original portrait of the relationship between popular culture and institutionalized politics tracing the connections between artists such as Paul Robeson, Lorraine Hansberry, Richard Pryor, Bob Marley, and Erykah Badu and those individuals working in the protest, electoral, and policy making arenas. With an emphasis on questions of class, gender and sexuality-and diaspora and coloniality-the author also illustrates how creative artists destabilize modern notions of the proper location of politics, and politics itself.
Ranging from theater to film, and comedy to literature and contemporary music, In Search of the Black Fantastic is an engaging and sophisticated examination of how black popular culture has challenged our understandings of the aesthetic and its relationship to politics.
PUBLISHERS WEEKLY
Iton (Solidarity Blues) examines the link between black popular culture and black politics, the symbiosis between creative artist and political activist in the post civil rights era. From Cold War era artists and activists (Paul Robeson, Lorraine Hansberry) to Amiri Baraka; from Ella Fitzgerald to Erykah Badu; Dizzy Gillespie to Nas; Richard Pryor to Chris Rock Iton traces cultural and political developments, engaging with novelists, filmmakers, musicians, standup comedians and visual artists. Always attentive to the dynamics of sexuality, gender and race roles, Iton's work possesses the depth of wide reading in modernist theory and the breadth of wide-open eyes and ears for the popular. Gargantuan sentences coupled with current critical jargon may deter the general reader, but specialists in popular culture, African-American studies, political science and American studies will find Iton's argument that "political intention adheres to every cultural production" challenging, illuminating and groundbreaking. For both lay reader and academician, it may well "compel a revision of our notions of the political."
