Into the Sun
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- £6.49
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- £6.49
Publisher Description
Into the Sun—a radically strange and frighteningly prescient climate-disaster novel written a century ago by C. F. Ramuz, the great and eccentric Swiss-French novelist—is a book to boil you
It’s been a hot summer for a Swiss lakeside town—both bucolic and citylike, old-fashioned and up-to-date—when a "great message," telegraphed from one continent to another, announces an "accident in the gravitational system." Something has gone wrong with the axis of the Earth that will send our planet plunging into the sun: it’s the end of the world, though one hardly notices it, yet ... “Thus all life will come to an end. The heat will rise. It will be excruciating for all living things … And yet nothing is visible for the moment.”
For now the surface of the lake is as calm as can be, and the wine harvest promises to be sweet. Most flowers, however, have died. The stars grow bigger, and the sun turns from orange-red to red, and then to black-red. First comes denial: "The news is from America, you know what that means." Then come first farewells: counting and naming beloved things—the rectangular meadows, the grapes on the vines, the lake. In its beauty the world is saying, "Look at me," before it ends.
The prophetic Into the Sun vividly voices the initial disbelief, the rejection of the increasingly obvious facts, and the suppression of the gnawing doubts. Ramuz describes denial, fear, melancholy, despair, reckless abandon, and a swift slide into anarchy. Everyone seeks relief in the lake while the sun drinks it up “as if through a straw." Ramuz's terrifyingly gripping scenario of a burning planet and the demise of humankind—now so fatefully on our horizon—is a stirring blast from the past, a truly hair-raising tour de force.
PUBLISHERS WEEKLY
In this vivid and prescient 1922 novel from Swiss author Ramuz (Great Fear on the Mountain), rapid climate change brings about societal breakdown. The days seem like they will last forever during one particularly hot August. Then news arrives that Earth is on a collision course with the sun. Thermostats strain in once bucolic countries where it soon becomes too hot to sleep, heavy traffic makes escape from the cities impossible, and bathers get burned beyond recognition. Soon the electricity fails and city squares empty out, villages split into small republics, and looting runs rampant ("Everything is ours; everything is allowed," Ramuz writes in fluidly shifting first-person plural narration). In the small impressions and vignettes that make up the novel, a boy and girl on a desperate sojourn encounter survivors lurking in the woods, children parent themselves now that adults have ceased to bother, and a desperate office worker takes up arms. Near the end, a lone pilot, one of the last human survivors, finds himself grounded in a wasteland, where beauty is fleeting and disintegration a certainty. The crisp translation enhances the stark imagery and uncanny foresight. This is striking.