Invisible Woman
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- £11.99
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- £11.99
Publisher Description
Other people kill their husbands. Not her.
“A darkly clever thriller about women’s thwarted ambitions, celebrity, the Time’s Up movement and revenge.”—People (Book of the Week)
In Invisible Woman, a dangerous secret held for too long between estranged best friends rises to the surface, and a long marriage comes apart with devastating consequences.
Joni Ackerman’s decision to raise children, 25 years ago, came with a steep cost. She was then a pioneering filmmaker, one of the few women to break into the all-male Hollywood club of feature film directors. But she and her husband Paul had always wanted a family, and his ascending career at a premier television network provided a safety net. Now they’ve recently transplanted to Brooklyn, so that Paul can launch a major East Coast production studio, when a scandal rocks the film industry and forces Joni to revisit a secret from long ago involving her friend Val.
Joni is adamant that the time has come to tell the story, but Val and Paul are reluctant, for different reasons. As the marriage frays and the friends spar about whether to speak up, Joni’s struggles with isolation in a new city, and old resentments about the sacrifices she made on her family’s behalf start to boil over. She takes solace, of sorts, in the novels of Patricia Highsmith—particularly the masterpiece Strangers on a Train, with its duplicitous characters and their murderous impulses—until the lines between reality and fantasy become blurred.
Invisible Woman is at once a literary thriller about the lies we tell each other (and ourselves), and a powerful psychological examination of the complexities of friendship, marriage, and motherhood.
PUBLISHERS WEEKLY
When a Hollywood bigwig is accused of raping multiple women, a rudderless empty nester urges an old friend to come forward in this provocative but uneven standalone from Lief (House of a Thousand Eyes). In 1990, producer Lou Pridgen drugged and raped actor Val Graham at a Hollywood party she crashed with filmmaker Joni Ackerman. Val and Joni kept quiet about the incident to protect their nascent careers. Eventually, Val moved home to Philadelphia and Joni married TV megaproducer Paul Lovett, trading moviemaking for motherhood. Three decades later, Joni and Paul are living in Brooklyn when the Pridgen news breaks. Joni's kids are out of the house and Paul works constantly, so she takes a break from bingeing booze and Patricia Highsmith novels to track Val down and suggest she speak out about her experience with Pridgen. Val refuses, which is a relief to scandal-averse Paul, but a blow to Joni, who perseveres—with unexpected consequences. Lief generates some intriguing tension by juxtaposing the necessity and importance of the #MeToo movement with Joni's questionable motives, and Val and Joni's struggles as women in Hollywood resonate. Unfortunately, too-convenient plotting, unimaginative twists, and poorly established stakes blunt the tale's impact. This aims high and falls short.