Island
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- £2.99
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- £2.99
Publisher Description
The island is a place where things are not quite as they appear; a magical place where the murder of a reclusive woman is not a cut and dried case.
'I thought I had come to the island to wrest control of my life back from the woman who had sabotaged it. But I was wrong. My mother was still writing my plot.'
Nikki Black, intent on punishing the mother who abandoned her at birth, goes to the island with only one aim in mind: revenge. But her plans are confounded by the discovery that she has a brother. Not just any brother but a brother strangely possessed by their mother; a brother with a terrifying violent streak; an apparent simpleton whose head is filled with the stories of past islanders, Crofters, Vikings, Little People. A brother whose dangerous love and strange way of seeing the world transform Nikki's life.
PUBLISHERS WEEKLY
"When I was twenty-eight I decided to kill my mother." This sixth book from Rogers (Promised Lands; Mr. Wroe's Virgins) is a caustically memorable literary shocker, built tightly around its antiheroic narrator. Abandoned at birth and shuttled among foster homes around Birmingham, Nikki Black (a name she chose for herself because it had "teeth") decided in her teens to remain at a children's home rather than suffer the ministrations of hypocritical caregivers. To call her unsympathetic is putting it mildly: the grown-up Nikki hates everyone, using whomever she needs for sex, sleeping space or money, and connecting emotionally with no one. She has one purpose in life: to find her real mother (listed on her birth certificate as Phyllis Lovage), ask her why she abandoned her, and then kill her. A financial windfall lets Nikki track Phyllis down to the small, remote Scottish island of Ayssar, where she rents her spare room out to boarders. Herself dying from cancer, Phyllis makes money by selling herbal remedies; she uses the funds to care for her slightly retarded son, Calum. Nikki rents the room and conceals her identity, the better to spy on, and then slay, her mother--and to win the affections of Calum. This novel's macabre plot is compelling enough, but Rogers's real talent lies in tone and psychology--in Nikki's sometimes horrifying, sometimes nearly reasonable flights of fancy, and in the asides, details, folktales and anecdotes that percolate through the main narrative. Fans of Ian McEwan should relish this stylish, charismatic addition to Britain's gallery of antiheroes.
