When recently exhumed church relics are stolen from a small English village the theft is quickly followed by four murders.
The joint inheritance of a piece of property supplies a motive but the cause of death is mystery. Cue Sir Clinton Driffield, who investigates and makes an on-the-spot arrest of the culprits and their super-scientific death machine.
'J.J. Connington's stories are always attractive' Sunday Times
British author Titchmarsh (Rosie) brings the art world alive in this engaging romantic drama. In 2007, James "Jamie" Ballantyne reconnects with childhood chum and flame, Artemis "Missy" King, who resurfaces in the showroom of Jamie's auction house in Bath to bid on a painting on behalf of her grandfather. The reunited couple discover that a set of paintings by Sir Alfred James Munnings, owned by Missy's grandfather (himself owner of an established fine art gallery), are fakes. Their investigation reveals a long thread of family secrets and the source of the feud between their two families, revelations that cause the couple to split up. Titchmarsh alternates between the present and the story of Jamie's grandfather, Harry Ballantyne, and Missy's grandmother, Eleanor King, who met as art students at Oxford. The effect is nostalgic and builds anticipation and curiosity in the history of the two families, including the story behind the lost love of their grandparents.