Kick the Latch
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- £7.49
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- £7.49
Publisher Description
About one woman’s fine, hard life at the racetrack, Kick the Latch–with its ruthless concision and artful mysteries–is lightning in a bottle
Kathryn Scanlan’s Kick the Latch vividly captures the arc of one woman’s life at the racetrack—the flat land and ramshackle backstretch; the bad feelings and friction; the winner’s circle and the racetrack bar; the fancy suits and fancy boots; and the “particular language” of “grooms, jockeys, trainers, racing secretaries, stewards, pony people, hotwalkers, everybody”—with economy and integrity.
Based on transcribed interviews with Sonia, a horse trainer, the novel investigates form and authenticity in a feat of synthesis reminiscent of Charles Reznikoff’s Testimony. As Scanlan puts it, “I wanted to preserve—amplify, exaggerate—Sonia’s idiosyncratic speech, her bluntness, her flair as a storyteller. I arrived at what you could call a composite portrait of a self.” Whittled down with a fiercely singular artistry, Kick the Latch bangs out of the starting gate and carries the reader on a careening joyride around the inside track.
PUBLISHERS WEEKLY
Scanlan's inventive debut novel (after the collection The Dominant Animal) documents a woman's hardscrabble yet jubilant life and her dedication to working with racehorses. Shaped from interview transcripts with a real-life trainer named Sonia (no last name given), Scanlan's vignettes carry readers across the arc of Sonia's life, from her Iowa home to a nearby barn, where Sonia keeps her beloved first horse, Rowdy—"He taught me trust. He taught me not to trust too much. I learned to be a little leery"—to the South Dakota racetrack where she makes her name as a trainer, and further on, from Florida to Churchill Downs. Sonia describes the duties of racetrack roles in fascinating and surprising detail: mucking stalls (at a Florida breeder's, she learns that expensive horses are never to be in the stall with their own excrement), icing legs, injecting drugs, and caring for oneself after inevitable injuries. But the most beautiful moments are quiet ones, in which Sonia processes the choices she and others have made, and of the consequences she faces in a field dominated by men. With this sharp and lovely tribute to a singular woman, Scanlan continues to impress.
