Memory Wall
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3.3 • 4 Ratings
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- £3.99
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- £3.99
Publisher Description
Set on four continents, Anthony Doerr's collection of stories is about memory: the source of meaning and coherence in our lives, the fragile thread that connects us to ourselves and to others.
Set on four continents, Anthony Doerr's collection of stories is about memory: the source of meaning and coherence in our lives, the fragile thread that connects us to ourselves and to others.
In the luminous and beautiful title story, a young boy in South Africa comes to possess an old woman's secret, a piece of the past with the power to redeem a life. In 'The River Nemunas', a teenaged orphan moves from Kansas to Lithuania to live with her grandfather, and discovers a world in which myth becomes real. 'Village 113' is about the building of the Three Gorges Dam and the seedkeeper who guards the history of a village soon to be submerged. And in 'Afterworld,' the radiant, cathartic final story, a woman who escaped the Holocaust is haunted by visions of her childhood friends in Germany, yet finds solace in the tender ministrations of her grandson.
The stories in Memory Wall show us how we figure the world, and show Anthony Doerr to be one of the masters of the form.
About the author
Anthony Doerr is the author of the Pulitzer Prize-winning novel
All the Light We Cannot See. He is also the author of two story collections, Memory Wall and The Shell Collector; the novel About Grace; and the memoir Four Seasons in Rome. He has won five O. Henry Prizes, the Rome Prize, the New York Public Library’s Young Lions Award, the Andrew Carnegie Medal for Fiction and a Guggenheim Fellowship. Doerr lives in Boise, Idaho, with his wife and two sons.
PUBLISHERS WEEKLY
In multiple O. Henry Prize winner Doerr's latest (after Four Seasons in Rome), the presence and persistence of memory thematically binds stories set apart by vast distances of time and space. The title story finds a South African woman at the end of her life, taking part in a procedure that records her memories on cassettes; meanwhile, a pair of thieves rifles through the recordings, hoping to discover a secret her husband took to his grave. Bookending the collection is Afterword, about a woman in her final days whose seizures take her back to her youth in a Nazi-era Hamburg orphanage. In between are a couple of domestic stories, one about a village's impending erasure by flood, and another about a teenage orphan adapting to life with her grandfather. Doerr has an incredible sense of language and a skill for crafting beautiful phrases and apt metaphors, but he doesn't always connect with his characters, a shortcoming most obvious in the first-person pieces. For the bulk of the collection, though, Doerr's prose brings home the weight of his troubling thesis, that every hour... an infinite number of memories disappear, whole glowing atlases dragged into graves.
