Moxyland
A gripping and thrilling novel from the winner of the Arthur C Clarke award
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4.0 • 2 Ratings
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- £3.99
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- £3.99
Publisher Description
FROM THE AUTHOR BEHIND BRAND NEW APPLE TV HIT SHINING GIRLS
In a troubling, near-future Cape Town four broken people try to carve out a place for themselves before a brutal storm of change hits them . . .
'Beukes deals with slightly surreal things in very real ways. I'm all over it' GILLIAN FLYNN
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Kendra, an art-school dropout, brands herself for a nanotech marketing program. Lerato, an ambitious AIDS baby, plots to defect from her corporate employers. Tendeka, a hot-headed activist, is becoming increasingly rabid. Toby, a roguish blogger, discovers that the video games he plays for cash are much more than they seem.
Four hurt and damaged individuals trying to make lives for themselves in a broken, uncertain future. But as events send them on a collision course their worlds are about to change in unexpected - and explosive - ways.
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'You don't have to be an SF aficionado to love this novel that is fast, brimming with original ideas' Guardian
'A major, major talent' George R. R. Martin
PUBLISHERS WEEKLY
A Big Brotherly corporation provides public services for a Cape Town beset by a bad economy and plague-ridden slums in this reissue, an intriguing if somewhat shapeless near-future novel from South African author Beukes (Zoo City). The four leading characters are tangentially related through an anti-corporation sabotage plot. Tandeka is gay but marries a destitute and pregnant refugee to protect her. Kendra, a former art student, becomes a nanotech lab rat, who voluntarily becomes addicted to Ghost, a popular drink, and helps to promote it. Toby, whose vocabulary is largely limited to current and projected expletives, amorally mines video games for cash. Lerato, a gifted programmer who clawed her way up out of poverty, schemes to leave her corporate job for a better life. Their amorphous protest against their bleak society aims to create an alternate economy without SIM IDs, which pretend to provide ever-increasing communication but actually enslave people by destroying their humanity, even promoting "art" created out of animals' pain. Beukes delivers a stinging assessment of people who want their government to supply everything that they think they need.
